Liisa Cohen

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

Oakland, California. Young Afro-American Oscar Grant crosses paths with family members, friends, enemies and strangers before facing his fate on the platform at Fruitvale Station, in the early morning hours of New Year's Day 2009.

Kimberly, a teenager suffering from agoraphobia, has not left the house since her mother's unsolved murder. On the eve of Thanksgiving, she begins to suspect that the safe harbor of home and her doting father may be a dangerous mirage.

In 1960s San Francisco, bright and talented catholic school girl Celina Guerrera survives a difficult home life by following the rules. That is until an indiscretion creates a series of devastating consequences. As Celina faces the compounded obstacles of being young and alone, she sets out to rise above the oppression of poverty and invest in a future that sets new precedents for the time.

A small crowd of people are gathered in wait when they are suddenly struck by a massive onslaught of water.

Brujeria is the Spanish word for witchcraft. Both men and women can be witches, brujos and brujas, respectively. A brujo controls much of the dance and chaos surrounding this troupe. When a young stagehand enters the would of this secluded dance retreat, it upsets the balance of the retreat's lead dancer a couple comprised of a lesbian and a bisexual woman. When the bisexual woman finds herself attracted to the stagehand, their relationship is tested, and the ensuing chaos feeds the brujeria.

The film is a five-part projection-based installation, which addresses the complexity of human existence through the themes of individuality, society, death and rebirth. Each video is projected directly onto the wall of the exhibition space, just as paint from a fresco adheres to the surface of a plaster wall.