Sandrine Laroche

Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

God lives in Brussels. On Earth though, God is a coward, morally pathetic and odious to his family. His daughter, Ea, is bored at home and can't stand being locked up in a small apartment in ordinary Brussels, until the day she decides to revolt against her dad...

Romance meets farce against the backdrop of a quiet campaign to legalize gay marriage. Laurent loves his roommate Dan, who's straight and a playboy. Laurent can't bring himself to tell Dan, but is content to share a flat and to party with him. Then Camille comes along, Dan falls hard, and Laurent is beside himself: he tries to sabotage the relationship, but each effort backfires. After Dan moves in with Camille, Laurent enlists the help of Sam, his new lesbian flatmate, and Nick, a long-time gay friend. As the lovers head toward marriage, Laurent becomes more desperate. His efforts may be having an effect, if not on Dan, then on Camille. Which love will triumph?

After a violent dispute with her mother, sixteen-years old Chloé ends up in the streets with nowhere to go. Then she finds Jean-Michel, a charming young man who will lead her to prostitution.

The photographer and family man Matyas is married and has a happy life with his beloved wife Claire, who is pregnant and near the delivery, and his young son Pierre. Matyas was raised in an orphanage, and he believes his mother died when he was six. However, he receives a correspondence and discovers that his mother has just passed away and that he has a twin brother, Thomas. Matyas does not recall his childhood with his mother and brother and has problems with blood. When Thomas visits his family, Matyas becomes paranoid, believing that his sibling wishes to takeover his family.

She’s the most beautiful, most short-sighted, most sentimental, most perplexing, most obstinate, most untrustworthy and most troubling of heroines. The lady in the car has never seen the sea. On the run from the police, she keeps telling herself that she’s not crazy… Only...

Jack and Julie live in a bare Parisian flat. By day, they make love; by night, Jack is a taxi driver while Julie wanders the city. One day, Julie meets Joseph, the daytime cabbie, and soon Julie spends her nights with Joseph and her days with Jack.

Justine, Armel, Camille and Félix are four thirty-somethings who live in Brussels. Friends for years, they are beautiful, they have a situation, they are alive. But at thirty years old, even the smallest grain of sand can stop the machine. The same day Faustine is challenged in her work, Camille becomes pregnant, Armel loses his father and Félix is called to work in Tokyo. It's raining sand in Brussels.

Upon receiving her residence permit, Salma, a Syrian refugee, discovers that the Belgian authorities have revoked her and her son's nationality. Salma then fights for the recognition of their lost citizenship.

Ils sont cinq tueurs. Francis, le chef, Louis le parano, Victor, l'accro aux series tele, M'sieur, fan de tamagochi et Marchand, dont la femme est la seule certitude. Elle le croit representant en chaussures. Jusqu'au jour ou elle decouvre la verite. Une discussion plus qu'orageuse suit, au cours de laquelle il lui balance un coup de poing d'une telle force qu'elle tombe dans le coma. Marchand est effondre. Il acquiert la conviction que, s'il se rachete, elle se reveillera. Il decide non seulement de raccrocher mais encore de sauver ses hypothetiques victimes.

The story follows three young men who are willing to do anything to reach their dreams, even to prostitute themselves to gain money for the bussines they want. They obviously get themselves into trouble and various funny situations.

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.

Lionel, seventeen years old, assaulted by his father, is going to become a daddy.

A suicidal man recalls life with his mother as a boy.

Childhood friends Isa and Florence reunite unexpectedly as adults