Hannele Laaksonen

On the verge of her marital life, a young woman makes a journey into the night to find out why she has lost her heartbeat and turned golden.

Far in the future, in a place that was once called Finland, there lives a people whose history is shrouded in mystery. A mythical song describes the past, but it is not enough for the Young One. Fortunately, there is a sect in nearby fen that preserves ancient knowledge.

Jussi Vares find two bodies of Turku outskirts of women, which has been shot in the head, and the man whose body is full of runes similar to the cuts, which suggest that the murder would have been part of the dark ritual. A year later, Vares is hired to investigate these homicides. Cable Wires take Varesta towards Turku underworld dominant invisible godfather, sheriff. Sheriff is the man whom nobody knows and we do not discuss. Vares drifts dangerously close to the "jury", the secret underworld lord clubs, the members of the human spirit is a cheap commodity. Rummaging through the case Vares get too close to the truth.

Unexpected adventures and incidents in the life of model and cashier Noora Lehtinen.

The film tells about members of Finnish women's Lotta Service during the Second World War through the eyes of three young women.

Businessman Erkki Hakala returns to Ostrobothnia after years in Florida and buys a metal workshop in Jalasjärvi from the unknown Partanen brothers with his business partner Taisto Matsomppi. Erkki misses his wife Kaisu, who back in the day stayed in Finland, and his child, but will the man be forgiven for years of absence?

Middle-aged Maire's husband spends most of his time abroad on business. Alone in their large house, Maire fills her empty life by absorbing other people's tragedies from tabloid newspapers. Obsessed by the story about a young single mother whose husband was killed and the killer got away with it, she befriends the young widow who would rather forget the whole event and go on with her life.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

A group of three male friends with domestic problems behave badly.

TV play about the legend of Lalli.

Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.