Kimberly Reed

What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

A documentary following the unsolved murder of Venus Xtravaganza, star of the legendary film "Paris Is Burning," as Venus' two families — biological and ballroom — come together to seek answers and celebrate her legacy.

'Dark money' contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections — but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics.

'Dark money' contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections — but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics.

When Zooey Zephyr was expelled from the Montana House of Representatives for speaking on a bill banning transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s cameras land next to Zooey, capturing shocking, funny, and joyous events.

When Zooey Zephyr was expelled from the Montana House of Representatives for speaking on a bill banning transgender medical care, she made a nearby bench her “office.” Director Kimberly Reed’s cameras land next to Zooey, capturing shocking, funny, and joyous events.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.

Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long-estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Welles and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.