Bára Lind Þórarinsdóttir

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.

In an idyllic South Icelandic village, an aimless delivery driver’s life is upended when her half-brother disappears following his wife’s suspicious demise.

Mæja strawberry fruit basket, but cleaner, Red Apple keeps everything neat and tidy, green banana, but the left is right. IMMI pineapple but most offer themselves waiting to crown replaced with the message so he can crowned himself king. Eva orange but not over water reflection, and Suss in Poland and insect lamps have become even more pranksters than before. Goofy banana and green banana continue to march across Ávaxtakörfuna and not lose the rhythm. Gedda carrot is always happy, despite adversity and argues that there is nothing more natural than a vegetable farm in the fruit basket.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.