Luise Kinseher

Karl Valentin is the greatest Bavarian comedian... but: maybe it's all just a misunderstanding? In any case, Valentin only saw himself as a folk singer, but he also produced Dadaist works of art and wrote futuristic songs. Today, he has a reputation as a comedian who has somewhat fallen out of time. In this film essay, Andreas Ammers asks contemporary comedians such as Luise Kinseher, Willy Astor, Helmut Schleich and Christian Springer about their relationship to their great ancestor. Above all, however, he examines how Karl Valentin would come across if he were played in High German today.

No synopsis available yet.

Yascha Krüger is a shy forestry official who struggles with dating and tends to scare people off. While temporarily working in a forest district, he meets Mats, a photographer, and the two develop a romantic connection. At the same time, Yascha is assigned a professional task: to persuade the heirs of a recently deceased landowner to sell a private forest so it can be turned into a national park. As Yascha becomes more involved in both his work and his growing feelings for Mats, he finds himself telling lies that complicate his relationships and force him to confront what he truly wants—both personally and professionally.

When Resi and her clique get into a fatal accident on their trip to the Alps, they find themselves in a Bavarian afterlife authority that will decide their fate. Elysium, purgatory, rebirth - anything seems possible. When it becomes clear that the group lacks all conviction, the question arises: what the hell happens to someone who didn't believe in anything when they were alive? 

Kreuzeder was once a successful commissioner, but now he rarely solves a case. After more than 20 years in the service, he just wants to retire as quickly as possible and leave everyday life in the homicide squad in Lower Bavaria behind. Kreuzeder is of the opinion that humanity is coming to an end anyway, so he prefers to get drunk in the tavern and flirt with the waitress Gerda Bichler there instead of going about his work.

She was sweet, she was cute. But just before her 14th birthday, Daddy’s little princess mutates into a petulant pubescent nightmare. Journalist Hannes Wenger decides to take a time-out from work to guide his daughter Carla through this difficult phase in her life and, above all, to keep her away from alcohol, boys and other temptations. This is easier said than done, however, and when his wife Sara goes back to work, Hannes proves himself entirely inept at raising a teenager. Whether it’s Carla’s birthday party, her mobile phone contract or her first time, Hannes makes one awkward blunder after another. The fact that other teens have embarrassing fathers provides only faint consolation; Hannes’ best friend is a war reporter named Holger who prefers to be shot at in war zones rather than stay at home and be driven crazy by his own teenage nightmare.

Karli likes to pose as a battle-hardened army veteran, but in reality he is a vending machine cracker. Marie, once the beauty queen of Mingkofen, has little to expect from life since the death of her well-to-do husband. When their paths cross, two damaged existences meet who are more alike than they initially believe. In a world full of mistrust and lies, Karli and Marie slowly grow closer - like two shy hedgehogs who first have to endure a turbulent journey to realize that they can only move forward together.

Over 40 years ago, Josefa left her home village in a dispute. A lot has happened in the meantime. Now she returns as a mature woman to where she is still known as a man.

No synopsis available yet.

The Hobeditz farmer, threatened with ruin, is promised 53 million euros as an inheritance when his will is opened. The only condition: He is to revive the custom of hobeditzing in memory of his grandfather. The only problem: there is no one far and wide who can remember the Hobeditz...

No synopsis available yet.