Mara Paulina Adlawan Marasigan

Nakabibinging Kadiliman is about two physically-challenged sisters trying to find a way to live a normal life.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.

The life story of a kid diagnosed with Down syndrome. He dreams of being an artista; his family has to make ends (and dreams) meet.

A brilliant man loses his drive after a series of unfortunate events. His luck changes as he meets a random person online that would change his life forever.

The movie Edna is a unique take about real and imagined fears of overseas Filipino workers. Staged in three parts- the film attempts to walk the audience from a thrilling arrival to an astonishing departure.

The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.

Caretakers for a kidnapped child, couple Rod ad Lucy decide to run away with the child to be raised as their own rather than let it be killed after its parents turned to the cops for help. Not equipped with any employable skills, they resort to scams and other illicit activities just to ensure that their child would live a normal life.