
Editing
Pedro Chaskel
Born 1932-08-02 · Germany
Pedro Chaskel, is one of the main precursors of the so-called New Chilean Cinema, as a director, cameraman and editor of numerous short and feature length films. An early emigrant from Germany at the age of seven, Chaskel became a Chilean national in 1952, and studied architecture at the Universidad de Chile from 1951 to 1954. That year, he became a founding member and animator of the Cine Club Universitario de la Federación de Estudiantes de Chile (FECH). A conspirator in the exhibition of films that did not come to Chile through the regular commercial circuit, Chaskel promoted, together with a group of contemplative people, a custom that was not very common in Chile: the cinema forum, or the debate organized after the film screenings that he did at the Central House of the Universidad de Chile. It was there that classics of German expressionism, Italian neo-realism and any film they had available were shown for the first time in Chile. In 1973, due to the military coup suffered by the government of President Salvador Allende, Chaskel is expelled from the Universidad de Chile by the military authorities, and travels abroad. Between 1974 and 1983 he settled in Cuba, where he worked as an editor at the Cuban Institute of Art and Cinematographic Industry (ICAIC), and since 1979, as a director and filmmaker for the same institute. In 1983, he returns to Chile. He works in film and video as an independent professional, working as an editor and director of documentaries. From 1997 to date, he has taught film at many Chilean universities.
Acting credits
NRPedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.
Nada pertenece a la memoria
2017
10.0The story of the Santa María School massacre of miners in 1907.
Cantata de Chile
1976
Behind the camera
10.0A sound system plays Commander Ernesto Guevara's speech, delivered on October 20, 1962, during the Second Anniversary of the Young Communist League, along with a series of archival images of the revolutionary leader visiting factories and meeting with workers.
Che, Today and Always
1983
10.0A sound system plays Commander Ernesto Guevara's speech, delivered on October 20, 1962, during the Second Anniversary of the Young Communist League, along with a series of archival images of the revolutionary leader visiting factories and meeting with workers.
Che, Today and Always
1983
Latin American children, children of exiles and political prisoners, tell of their experiences of integration in Cuba, sharing their memories from exile and ideas on politics and education. Filmed in Havana in February 1979, the International Year of the Child.
Eyes Like My Dad
1979
Latin American children, children of exiles and political prisoners, tell of their experiences of integration in Cuba, sharing their memories from exile and ideas on politics and education. Filmed in Havana in February 1979, the International Year of the Child.
Eyes Like My Dad
1979
A docudrama based on the family planning policies for the population with limited resources. A low-income lady resorts to clandestine ways to get an abortion...
Abortion
1965
A docudrama based on the family planning policies for the population with limited resources. A low-income lady resorts to clandestine ways to get an abortion...
Abortion
1965
NRCuban workers remember Che Guevara. They testify to his relationship with the workers, his good example, and his great capacity for work.
Constructor Cada Día, Compañero
1982
NRCuban workers remember Che Guevara. They testify to his relationship with the workers, his good example, and his great capacity for work.
Constructor Cada Día, Compañero
1982
A poetic film that records the excavations carried out by Swiss ethnologist Jean Christian Spahni at the mouth of the Loa River. Through the bone remains and objects found, the testimony of the Chango indigenous people is revealed.
Aquí vivieron
1964
10.0A collage of images showing the two faces of a society. That of poverty and that of wealth. Throughout the documentary, this antagonism is shown: populations in unhealthy conditions, and on the other hand, large showcases with mannequins.
Venceremos
1970
NRChronicles the events immediately surrounding the CIA- supported coup itself.
The Battle of Chile: Part II
1976
This documentary shows the inhuman conditions on which the patients of Iquique's Psychiatric Hospital live.
Testimony
1969
This documentary shows the inhuman conditions on which the patients of Iquique's Psychiatric Hospital live.
Testimony
1969
5.0Through the testimony of the victims of the Brazilian dictatorship, and the re-creation of the practices to which they were subjected, the torture suffered by the Brazilian political detainees in their country is denounced. Restored version.
It's Not Time to Cry
1971
NRSOMOS + follows a political demonstration by women who rise up with a unified voice against Pinochet’s military regime.
Somos +
1985
A day in the life of an 'organillero' as he plays his music in the streets of a Chilean city.
Day of the Organ Grinders
1961
No synopsis available yet.
Organilleros
1996
7.5The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
The Battle of Chile: Part I
1975
NRConfused faces of children, women and men when asked about the meaning of “eviction”, “unemployment”, “begging”, “gambling” and “racial discrimination”, all problems eradicated in Cuba after the 1959 Revolution. Survey filmed in Havana between May 2 and 13, 1980.
¿Qué es?
1980
No synopsis available yet.
Por la vida
1987
No synopsis available yet.
Por la vida
1987
Documentary about the iconic portrait of Ernesto 'Che' Guevara by Cuban photographer Alberto Diaz Gutiérrez (known as 'Korda').
Una foto recorre el mundo
1981
A poet recites his verses. The people who listen to him, inspired by him, form the Spring Party, which later becomes the Spring Army. It is decided to eliminate possible opponents. The poet is considered an enemy and is shot.
Érase una vez
1965
Two guerrillas (Miguel Littin and Jorge Guerra) wander lost in the desert until one of them dies. A jeep appears in the distance to rescue the survivor, but unable to read the signs of comradeship pointed out to him by the drivers of the vehicle, he shoots them.
El Analfabeto
1965
