Catherine Belkhodja

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

On the outskirts of civilisation, three young women, Magalie, Marie-Steph and Barbara live a desperate life together. Drowning in alcohol, they both lust for and hate one another, coupling like animals. Yet gradually they become enmeshed in a complex game of love and domination. Magalie, the ringleader, subjugates through her male power, and bestial charisma. Simple Marie-Steph, her younger sister, remains in the background, and Barbara, unaware of her own prettiness, has joined the pack because she loves Magalie. One day, at Magalie’s instigation, and almost out of boredom, they hold up a bakery and kill the baker with a buckshot gun. Life gradually resumes, but nothing is the same.

Marion is a 14-year-old girl who is on holiday with her family by the sea in Normandy. But she soon comes into conflict with her mother and siblings. There she also meets a man named Marc, to whom she feels attracted, who sees her and desires her. Back in Paris, she visits him again. For the first time in her life, she will make love to him.

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

A collection of three short “video haikus” by Chris Marker. Yanka / Tchaika observes the Seine beneath a bridge; Owl Gets in Your Eyes features Catherine Belkhodja with an owl superimposed in flight; and Petite Ceinture pays homage to the Lumière brothers by filming empty train tracks along Paris’s disused railway.

Part of Chris Marker’s Three Video Haikus series, Owl Gets in Your Eyes observes owls and their young in quiet close-up, capturing their shifting expressions and watchful gaze.

Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.

A bank clerk is given an unusual retirement gift, a high class call girl. Unaware that he has been 'set up' by colleagues the man goes with the girl to Venice where he enjoys his new found virility.

When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.

Beginning of the century. In a train, a young woman who comes to Paris as a nurse. In front of her, a young man who also wants to join the capital as a mason. Soon the lady complains of discomfort and pain, she has not given breast since yesterday. Finally, the man proposes to help her pour out her overflow of milk. It had been three days since he had eaten anything.

Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.

Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.