Mohammed Hammad

Four friends find themselves in an unexpected dilemma after one of them falls for their principal's daughter. They find themselves on the run from a drug gang, a terrorist organization, and the police after they are accused of trying to assassinate the Minister of Interior.

Both Mahmoud and Zeinab join hands to search for the original version of the first Egyptian independent film that was made back in the 1980s, all copies of which were either destroyed or confiscated for unknown reasons by the government film agency, an entity that governed film production and distribution at the time.

No synopsis available yet.

Samaan, a young Christian man, works as a security guard in a residential building in downtown Cairo. Quiet and introspective, he spends his nights writing stories and chasing his dream of publishing his first novel. Beneath his calm surface, Samaan carries deep wounds—the lasting effects of chronic PTSD, rooted in the traumatic loss of his father, who was killed in a terrorist attack in Libya during Samaan’s childhood. One day, amid the noise and routine of the city, Samaan crosses paths with Fatima, a young Muslim woman. What begins as a simple encounter soon blossoms into an extraordinary friendship—one that slowly begins to break down the walls Samaan has built around his trauma.

After the death of her parents, a traditional and conservative young woman, Iman, has to take care of her younger sister, Noha. When her sibling is faced with a marriage proposal, Iman has to ask her uncles to meet the groom and his family, as customs in Arab societies require the presence of a man from the bride’s side for the marriage agreement. But Iman decides to disregard the tradition.

Directed by Mohammed Hammad

No synopsis available yet.

Four friends find themselves in an unexpected dilemma after one of them falls for their principal's daughter. They find themselves on the run from a drug gang, a terrorist organization, and the police after they are accused of trying to assassinate the Minister of Interior.

Samaan, a young Christian man, works as a security guard in a residential building in downtown Cairo. Quiet and introspective, he spends his nights writing stories and chasing his dream of publishing his first novel. Beneath his calm surface, Samaan carries deep wounds—the lasting effects of chronic PTSD, rooted in the traumatic loss of his father, who was killed in a terrorist attack in Libya during Samaan’s childhood. One day, amid the noise and routine of the city, Samaan crosses paths with Fatima, a young Muslim woman. What begins as a simple encounter soon blossoms into an extraordinary friendship—one that slowly begins to break down the walls Samaan has built around his trauma.

Samaan, a young Christian man, works as a security guard in a residential building in downtown Cairo. Quiet and introspective, he spends his nights writing stories and chasing his dream of publishing his first novel. Beneath his calm surface, Samaan carries deep wounds—the lasting effects of chronic PTSD, rooted in the traumatic loss of his father, who was killed in a terrorist attack in Libya during Samaan’s childhood. One day, amid the noise and routine of the city, Samaan crosses paths with Fatima, a young Muslim woman. What begins as a simple encounter soon blossoms into an extraordinary friendship—one that slowly begins to break down the walls Samaan has built around his trauma.

After the death of her parents, a traditional and conservative young woman, Iman, has to take care of her younger sister, Noha. When her sibling is faced with a marriage proposal, Iman has to ask her uncles to meet the groom and his family, as customs in Arab societies require the presence of a man from the bride’s side for the marriage agreement. But Iman decides to disregard the tradition.

After the death of her parents, a traditional and conservative young woman, Iman, has to take care of her younger sister, Noha. When her sibling is faced with a marriage proposal, Iman has to ask her uncles to meet the groom and his family, as customs in Arab societies require the presence of a man from the bride’s side for the marriage agreement. But Iman decides to disregard the tradition.

Directed by Mohammed Hammad

Directed by Mohammed Hammad

Directed by Mohammed Hammad