Clément Cogitore

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

No synopsis available yet.

Thirty-four year old Ramsès has established himself as a clairvoyant in La Goutte d’Or, Paris. A shrewd manipulator and something of a poet, he built a sound business consoling people. Elusive and dangerous youths, freshly arrived from the streets of Tangier, disrupt his business and the whole neighbourhood. Until the day Ramses has an actual vision.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.

No synopsis available yet.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

No synopsis available yet.

Thirty-four year old Ramsès has established himself as a clairvoyant in La Goutte d’Or, Paris. A shrewd manipulator and something of a poet, he built a sound business consoling people. Elusive and dangerous youths, freshly arrived from the streets of Tangier, disrupt his business and the whole neighbourhood. Until the day Ramses has an actual vision.

Thirty-four year old Ramsès has established himself as a clairvoyant in La Goutte d’Or, Paris. A shrewd manipulator and something of a poet, he built a sound business consoling people. Elusive and dangerous youths, freshly arrived from the streets of Tangier, disrupt his business and the whole neighbourhood. Until the day Ramses has an actual vision.

No synopsis available yet.

No synopsis available yet.

Afghanistan, 2014. As the withdrawal of troops approaches, Captain Antarès Bonassieu and his squad have been assigned a surveillance mission in a remote valley of Wakhan, on the border of Pakistan. Despite Antarès and his men’s determination, control of the secluded valley will slowly fall out of their hands. One dark night, soldiers begin to mysteriously disappear in the valley.

Afghanistan, 2014. As the withdrawal of troops approaches, Captain Antarès Bonassieu and his squad have been assigned a surveillance mission in a remote valley of Wakhan, on the border of Pakistan. Despite Antarès and his men’s determination, control of the secluded valley will slowly fall out of their hands. One dark night, soldiers begin to mysteriously disappear in the valley.

For years, *The Magic Flute* has been one of the most frequently performed operas at the Aix-en-Provence Festival. After an eight-year absence, Mozart’s work is now back on the programme. Clément Cogitore interprets the plot as a modern coming-of-age story: Tamino and Pamina leave the world of childhood behind and enter a reality in which beauty is fragile and truth is uncertain.

In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.

In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.

A filmic essay/poem blending fictional images and archival footage from the Pathé and Gaumont collections from the early XXth century. Based on two figures/characters and paced by their interior monologues, Chroniques explores the mythologies of exile and exodus. From the grain of stock footage to the pixel of digital image, this film peruses the history of Europe the way we peruse a family photo album : between personal account and fictionalization.

She losses her sight. Once back among friends and family: blindness, isolation and a strange perception of the bodies around her. Rejection of this changes and an abrupt decision to put an end to it all. In the peacefulness of early morning, the terms of a new shared existence take shape.

She losses her sight. Once back among friends and family: blindness, isolation and a strange perception of the bodies around her. Rejection of this changes and an abrupt decision to put an end to it all. In the peacefulness of early morning, the terms of a new shared existence take shape.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.

Amin, a young illegal immigrant, has recently joined a group of other illegal immigrants camping in the forest. With every night comes the opportunity to attempt sneaking into the dockyards and hiding under a truck.

Amin, a young illegal immigrant, has recently joined a group of other illegal immigrants camping in the forest. With every night comes the opportunity to attempt sneaking into the dockyards and hiding under a truck.

Tucked away in their Moscow apartment, Ely and Nina Bielutine jealously guard one of the most significant and mysterious Renaissance art collections in Russia. Surrounded by their crow and cats, under the watchful eye of Leonardo da Vinci, Michelangelo and Rubens, Ely and Nina live in a world of their own, a fictional realm where art and lies have gradually gotten the upper hand over reality.

No synopsis available yet.

Cogitore pays tribute to the Carnival of Basel, an event held in the eponymous town in Switzerland since the Middle Ages. The Morgestraich marks the beginning of the carnival activities when the lights are turned off at exactly 4 am and groups of musicians parade through the streets with lanterns to the sound of pipes and drums. The piece features elaborately dressed carnival participants against a dark backdrop, walking continually toward an invisible crowd.

This work is conceived around the reuse of television footage of one of the protest demonstrations against the Mubarak regime during the second revolution in 2011, in Cairo's Tahrir square.

Archive film of the Lascaux cave

Hundreds of small luminous screens float above a human sea : a concert audience takes pictures with their cell phones of a scene outside the frame. Like the subtitles of an absent song, or the inner voice of an invisible narrator, verses from R.M. Rilke’s "Duino Elegies" punctuate this enormous collective wave of energy redolent of a digital ceremony.

The sense of rituals and the manifestation of the sacred has underpinned all of Clément Cogitore's oeuvre, inspired by gatherings, communal phenomena, and the expression of beliefs of today, be they erratic or diffuse, or without a defined subject. The spread of images and the way in which they have become commonplace constitute the off-screen "narrative" of this approach: the artist confronts and responds to this with a visual intensity and a sense for storytelling that borders on the fantastic.

For the making of "Assange Dancing", Cogitore used an amateur video shot and published online by the DJ of a club in Reykjavik in 2011. It shows the activist and Wikileaks founder dancing on a semi-deserted dancefloor.

The starting point of the video installation devised by Cogitore is based on two unexplained phenomena having physical origins : the supposed perception of sounds emitted by the Northern Lights, and the appearance of a mysterious luminous object in Alaska. In both cases, superstitions and the Inuit and Saami belief systems have disturbed the quest for scientific explanations.

An inventory of incendiary practices across the world at the beginning of the 21st century as reflected in social and popular rituals, festivals, savage celebrations, riots and military offensives. This work is about the hypnotic power of flames and their spreading in jubilation, communion, transgression or terror.

Video performance made using a lorry, a generator and a 16mm projector, Travel(ing) compares the reality of an experience with its representation in film.

Follow in real time the peregrinations of a small pack, prisoner and resigned, recount death like a children's tale, share the twilight between tranquility and terror. Film the fence as one would a still life.

October 22, 2010: the nuclear-powered submarine H.M.S Astute left the Edinburgh naval base on a personnel transfer mission.