Gaspar Scheuer

A Japanese immigrant (Nicolas Nakayama) and a war veteran (Alejandro Awada) search for an exiled samurai in the mountains of Argentina.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

Across a vaguely historical territory – the Argentine pampas at the end of the nineteenth century – a manhunt takes place: cavalry soldiers track a gaucho guilty of an infamous crime. The outlaw is tormented by the memories of his past. The hunt will not cease for days, perhaps weeks. One afternoon, the far away figure of the fugitive becomes visible to the posse. A young army officer faces the doubtful glory of killing. But this is just the beginning, because in the desert, time is circular, justice a fragile dream, and reality a feverish reflection.

A Japanese immigrant (Nicolas Nakayama) and a war veteran (Alejandro Awada) search for an exiled samurai in the mountains of Argentina.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

Across a vaguely historical territory – the Argentine pampas at the end of the nineteenth century – a manhunt takes place: cavalry soldiers track a gaucho guilty of an infamous crime. The outlaw is tormented by the memories of his past. The hunt will not cease for days, perhaps weeks. One afternoon, the far away figure of the fugitive becomes visible to the posse. A young army officer faces the doubtful glory of killing. But this is just the beginning, because in the desert, time is circular, justice a fragile dream, and reality a feverish reflection.