Acting
Michael Shrieve
Born 1949-07-06 · San Francisco, California, U.S.
Michael Shrieve (born July 6, 1949) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana, playing on the band's first seven albums from 1969 to 1974. His drum solo during "Soul Sacrifice" in the Woodstock film has been described as "electrifying", although he considers his solo during the same piece in 1970 at Tanglewood the superior performance.
Acting credits
7.3A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Gimme Shelter
1970
7.6An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Woodstock
1970
7.0Legendary rock impresario Bill Graham closed the Fillmore West in early summer 1971 with five nights of all-star concerts, the last curtain going down on July 4. The storied San Francisco venue had become an institution, an integral part of the West Coast music scene of the '60s and, now, an essential element of the mythology of rock 'n' roll. Always the showman, Graham made sure the Fillmore West was sent off in a blaze of glory, spotlighting bands - including the Grateful Dead and Santana-that rose to fame at the hall. The madness leading up to the shows and the concerts themselves were filmed for FILLMORE: THE LAST DAYS, a gritty, behind-the-scenes look at a fascinating moment in rock history and a showcase for great performances by iconic artists who epitomized 'the San Francisco Sound.' Originally released in 1972 and long out-of-print, the documentary film makes its DVD debut with Rhino's landmark reissue.
Last Days at the Fillmore
1972
8.0Santana Band live at Tanglewood, Lenox MA, USA on 18 August 1970.
Santana - Live at Tanglewood 1970
1970
8.4On March 21st, 2016, a few weeks prior to the release of the Santana IV album, the classic line-up of Santana took to the stage at the House Of Blues in Las Vegas. The show they delivered combined tracks from the new album with the classic hits from the band's first three albums, to which Santana IV is the natural successor. This was a hugely anticipated reunion of a line-up that had not performed and recorded together since the early seventies. It brought back the scintillating combination of rock, Latin, blues, jazz and African rhythms which was the band's trademark and made them truly unique. The concert was a celebration of the chemistry, dynamism and pure musical joy that had made the original band so special and earned them a place in so many fans hearts. It is a show to be enjoyed over and over again.
Santana IV - Live At The House of Blues, Las Vegas
2016
10.0This film is straight-ahead footage of Santana, the Grateful Dead, and the Jefferson Airplane playing at The Family Dog in 1970. Each band does two songs, followed by a jam at the end featuring musicians from all of the bands.
San Francisco Rock: A Night at the Family Dog
1970
Believe it or not, there almost was a feature film about the 1969 Texas International Pop Festival which, just like the one-and-only Woodstock concerts held two weeks earlier, had its entirety preserved both on film and reel-to-reel tape. However, unlike the legendary documentation of the New York festivities that dominated big screens worldwide the following summer, the Lone Star State’s contribution to classic-rock cinema never made it past the very-rough-cut stage. Thankfully, though, this feature- length “workprint” of the film is now available for a fantastic peek at what might have been.
Got No Shoes, Got No Blues: the Texas International Pop Festival
1969