Ferhan Şensoy

İşler Güçler, is a Turkish comedy series which first aired on 28 June 2012 on Star TV and tells the story of 3 actors, with the motto, Modern Muzip Yalanlar. Ahmet Kural, Murat Cemcir and Sadi Celil Cengiz shares the leading roles. Although rumour had it that it was going to be over at the end of the summer, the board of Star TV made an explanation that they would go on issuing it in the 2012−13 publication season, due to the interest their fans had shown

No synopsis available yet.

No synopsis available yet.

Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

The master of laziness takes a family man as his apprentice.

A film on Haldun Taner, a respectable, democratic intellectual and a brilliant author of political essays, various genres and kinds of literary texts and especially theatre plays all of which have been a masterpiece in Turkey art history.

İşler Güçler, is a Turkish comedy series which first aired on 28 June 2012 on Star TV and tells the story of 3 actors, with the motto, Modern Muzip Yalanlar. Ahmet Kural, Murat Cemcir and Sadi Celil Cengiz shares the leading roles. Although rumour had it that it was going to be over at the end of the summer, the board of Star TV made an explanation that they would go on issuing it in the 2012−13 publication season, due to the interest their fans had shown

No synopsis available yet.

The master of laziness takes a family man as his apprentice.

No synopsis available yet.

Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.

Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.

No synopsis available yet.

No synopsis available yet.

From Ferhan Şensoy, a humorous comedy with a high dose of laughter about today's technological revolution... With computerized communication entering every aspect of our lives, you will enjoy watching the play, which describes the alienation of society in a satirical language, and see what trouble the virtual world has brought upon us, accompanied by mischievous jokes... In the virtual realm, Şensoy satirizes digital emotions, declaring, "We are in the highly electronic F-type Internet world."

From Ferhan Şensoy, a humorous comedy with a high dose of laughter about today's technological revolution... With computerized communication entering every aspect of our lives, you will enjoy watching the play, which describes the alienation of society in a satirical language, and see what trouble the virtual world has brought upon us, accompanied by mischievous jokes... In the virtual realm, Şensoy satirizes digital emotions, declaring, "We are in the highly electronic F-type Internet world."

Ferhan Şensoy's play criticizing the new world order and capitalism.

Ferhan Şensoy's play criticizing the new world order and capitalism.

No synopsis available yet.

No synopsis available yet.

Haldun Taner Cabaret See what Ferhan Şensoy says about Haldun Taner, the greatest master of art, writer and theater performer of our country, "he is my father," Ferhan Şensoy, who is so devoted to his master, created a cabaret setup for him, turning his stories into sketches and creating a magnificent play. accomplished.

No synopsis available yet.

No synopsis available yet.

Ferhan Şensoy's play "Ce Fou de Gogol," written and staged in French in Montreal in 1974, won Monique Mercure, the play's sole performer, the "best actress" award and its author the "best foreign writer" award that year in Montreal. Twenty years later, the play was rewritten in Turkish and given the title "Gogol Duruşması" (The Trial of Gogol). The characters of the famous Ukrainian writer Nikolai Gogol judge the author within the framework of the story "The Diary of a Madman." Was Gogol a madman? Who is sane, then? In the play, Derya Baykal Şensoy portrays all of Gogol's characters, while Gogol's mocking voice from beyond the grave and the two separate collaborative shadows of the play's main character, the maid Mavra Mavroviç, 2nd Mavra and 3rd Mavra, and inevitably a Ukrainian pianist in a bow tie surround him in Petersburg, on Nevsky Prospect, each holding a madman's diary.

Ferhan Şensoy's play "Ce Fou de Gogol," written and staged in French in Montreal in 1974, won Monique Mercure, the play's sole performer, the "best actress" award and its author the "best foreign writer" award that year in Montreal. Twenty years later, the play was rewritten in Turkish and given the title "Gogol Duruşması" (The Trial of Gogol). The characters of the famous Ukrainian writer Nikolai Gogol judge the author within the framework of the story "The Diary of a Madman." Was Gogol a madman? Who is sane, then? In the play, Derya Baykal Şensoy portrays all of Gogol's characters, while Gogol's mocking voice from beyond the grave and the two separate collaborative shadows of the play's main character, the maid Mavra Mavroviç, 2nd Mavra and 3rd Mavra, and inevitably a Ukrainian pianist in a bow tie surround him in Petersburg, on Nevsky Prospect, each holding a madman's diary.

Based on the life story of Karl Valentin, one of the few theater artists who was not banned in Germany during World War II, this play written by Ferhan Şensoy satirizes Germany from 1914 until Hitler's rise to power and Özal's Turkey during that period.

Based on the life story of Karl Valentin, one of the few theater artists who was not banned in Germany during World War II, this play written by Ferhan Şensoy satirizes Germany from 1914 until Hitler's rise to power and Özal's Turkey during that period.

Long-Pants Quixote, driven by the noble goal of reaching Trabzon, becoming its ruler, reuniting with his dream lover Dürdane whom he believes he will find there, and eradicating all evil in the world, decides to set off from Madrid, taking his squire Sancho with him. Although Sancho dislikes such aimless and meaningless journeys, he reluctantly follows his master, armed with a unusable bicycle. Using his cell phone to navigate, they traverse mountains and hills, battle cell towers, and finally arrive at Madrid Airport, exhausted and battered. With broken and dislocated arms, and having been severely beaten by a driver and his assistant from Ordu, they arrive at the Submission Cafe in Trabzon. While having tea and chatting with Temel, Tursun, and Teslim, Long-Pants Quixote listens to their complaints and proposes the idea of ​​Trabzon's independence, an idea that is immediately embraced.

Long-Pants Quixote, driven by the noble goal of reaching Trabzon, becoming its ruler, reuniting with his dream lover Dürdane whom he believes he will find there, and eradicating all evil in the world, decides to set off from Madrid, taking his squire Sancho with him. Although Sancho dislikes such aimless and meaningless journeys, he reluctantly follows his master, armed with a unusable bicycle. Using his cell phone to navigate, they traverse mountains and hills, battle cell towers, and finally arrive at Madrid Airport, exhausted and battered. With broken and dislocated arms, and having been severely beaten by a driver and his assistant from Ordu, they arrive at the Submission Cafe in Trabzon. While having tea and chatting with Temel, Tursun, and Teslim, Long-Pants Quixote listens to their complaints and proposes the idea of ​​Trabzon's independence, an idea that is immediately embraced.

Ferhan Şensoy is back with a message from 1993! Ferhangi Şeyler, Ferhan Şensoy's one-man show, which he has been performing continuously since March 7, 1987, is an evaluation of everyday events through Ferhan's humorous lens.

Ferhan Şensoy is back with a message from 1993! Ferhangi Şeyler, Ferhan Şensoy's one-man show, which he has been performing continuously since March 7, 1987, is an evaluation of everyday events through Ferhan's humorous lens.

Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.

Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.

No synopsis available yet.

The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...

The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...

A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…

A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…

While Beckett centered on existential matters in "Waiting for Godot," Şensoy authentically adapted this play to address and mock the oppressive and fascist authorities in "Godot Go Home."

While Beckett centered on existential matters in "Waiting for Godot," Şensoy authentically adapted this play to address and mock the oppressive and fascist authorities in "Godot Go Home."

Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.

Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.

No synopsis available yet.

No synopsis available yet.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

No synopsis available yet.

No synopsis available yet.

The story of a man who was wrongfully imprisoned and spent six years behind bars, only to be released after his innocence was proven, is told through the lens of black humor, highlighting the flaws in our country's justice system, prison practices, and human rights issues.