Roman Kälin

The deterioration of one is the foundation of another one's life. The world with it`s never-ending interplay of eating and being eaten, takes on new dimensions when the unexpected forces of nature clash with the existing structures of our civilization. What was meant for eternity, melts away in seconds. The only constant is change.

A guy on a skateboard, an ant and a revenge.

In 1806, the collapse of Mount Rossberg triggered one of Switzerland's most devastating natural disasters, which obliterated the village of Goldau, claiming 457 lives. This film vividly portrays the harrowing moments that reshaped an entire valley.

The hermit Jimbo lives with his flesh-eating plant Clementine in a treehouse in nowhere land. When he takes away Clemetine’s beloved coca plant, she strikes back. This was Jacob Fey's first project at the Filmakademie Baden-Württemberg and the first time Roman Kälin and he got in contact with the stop-motion technique. They created huge sets and built the puppets out of silicon and metal joints. The set can be seen in the Filmakademie in Ludwigsburg. The production time was four months.

The deterioration of one is the foundation of another one's life. The world with it`s never-ending interplay of eating and being eaten, takes on new dimensions when the unexpected forces of nature clash with the existing structures of our civilization. What was meant for eternity, melts away in seconds. The only constant is change.

A guy on a skateboard, an ant and a revenge.

A guy on a skateboard, an ant and a revenge.

In 1806, the collapse of Mount Rossberg triggered one of Switzerland's most devastating natural disasters, which obliterated the village of Goldau, claiming 457 lives. This film vividly portrays the harrowing moments that reshaped an entire valley.

In 1806, the collapse of Mount Rossberg triggered one of Switzerland's most devastating natural disasters, which obliterated the village of Goldau, claiming 457 lives. This film vividly portrays the harrowing moments that reshaped an entire valley.

The hermit Jimbo lives with his flesh-eating plant Clementine in a treehouse in nowhere land. When he takes away Clemetine’s beloved coca plant, she strikes back. This was Jacob Fey's first project at the Filmakademie Baden-Württemberg and the first time Roman Kälin and he got in contact with the stop-motion technique. They created huge sets and built the puppets out of silicon and metal joints. The set can be seen in the Filmakademie in Ludwigsburg. The production time was four months.

The hermit Jimbo lives with his flesh-eating plant Clementine in a treehouse in nowhere land. When he takes away Clemetine’s beloved coca plant, she strikes back. This was Jacob Fey's first project at the Filmakademie Baden-Württemberg and the first time Roman Kälin and he got in contact with the stop-motion technique. They created huge sets and built the puppets out of silicon and metal joints. The set can be seen in the Filmakademie in Ludwigsburg. The production time was four months.