Léonce Corne

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

Discharged, catholic priest Pellegrin is back to his cure of Sableuse .But the castle has been sold to Nouveaux Riches,the Cousinet ,whereas the former owners ,Monsieur De Sableuse and his son,have settled in the outhouse.

In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce's widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.

In a lost village in Lapland, Gérard comes to the aid of his friend Anders, in conflict with his father, a rich owner of gold mines.

The adventures of a pompous jeweler who refuses to listen to the advice of his level-headed employees. In due time, the jeweler is robbed, but his sharp-eyed subordinate manages to prevent the villains from getting very far. Wising up in a hurry, the jeweler finally proves himself worthy of the love of the heroine.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

A married tugboat captain falls for a woman he rescues from a sinking ship.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Thérèse, a young flower girl, tries hard to remain virtuous but the whole world seems to conspire against her, whether her petty Paris family, or her relatives in the province bristling with false respectability, or her lustful employer, or the boy she loves who seduces her and abandons her. But at the end of the day there is Yvon, her childhood friend. Will he be the one that will love her truly?

The film recounts the life of a young member of parliament who joins the Freemasons in order to relaunch his career. He thus learns of how the Freemasons are conspiring with the Jews and the Anglo-American nations to encourage France into a war against Germany.

In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

A beautiful widow gambles away her fortune at baccarat and is forced her to sell her jewels and ask Victor for hospitality. Victor tries to seduce her but she loves the shy Gaston.

Her father having served a prison sentence, there is unending gossiping about Therese's family. Unable to put up with it any longer, the young woman leaves her native village for the canton of Bern where she manages to be hired by Anton Muller, a wealthy, authoritarian farmer. Under the young woman's spell, Anton wants to make his servant his mistress but Thérèse refuses energetically.. Later on, she nevertheless accepts to marry Anton. On the wedding day, she meets Gottfried, her bridegroom's son, and they instantly fall passionately in love with each other.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A rich banker is actually a crook. His mistress, an alien, wants to become French and the only way is to marry a Frenchman.

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

The old Valmorin died 200 years ago. The notary tells the family about the inheritance: the one who is terminally ill will receive the money. They all try their luck with getting ill before the other so one family member pretends to be deaf, another pretends to have a terrible back ache and so on...

Despite a perfect marriage and a superb career as a singer, Jean Dupray cheats on his wife. She dies while listening to the song he dedicated to her, "Maria". He then retired to the south where he led a life in complete anonymity. But his best friend's fiancé recognizes him and seduces him. Following a fight with his best friend, he decides to return to order by becoming a monk.

After finding and adopting a child, a man gets a job at an all-girls school which doesn't allow families. Once the girls find the baby, they become his forty little mothers. At the same time, the child's true mother searches for him.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

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