Ramiro San Honorio

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Melkor is a rebellious demon who choses Buenos Aires to turn it into his personal hell by unleashing a demonic invasion. Zombies and demons walk the earth. All is chaos, fire, and death. The only one capable of stopping the hordes of the underworld is Cazador, but he only seems interested in drinking, eating, and fucking. To spark his interest the key will be Bussi the bear, his favorite plush toy. Based on the 90s comic.

The first bioart narrative film. A transposition of War of the worlds in which the visuals are achieved by cultivating bacteria to follow certain patterns on petri dishes in a chemical oven. The narration evokes radio plays.

The first bioart narrative film. A transposition of War of the worlds in which the visuals are achieved by cultivating bacteria to follow certain patterns on petri dishes in a chemical oven. The narration evokes radio plays.

A making-of documentary about the bioart film Proyecto divergente. The first narrative bioart film starred by bacteria.

No synopsis available yet.

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

A new super agent from the renowned security agency ACUARIO is in charge of a spectacular operation to prevent a robbery. In this action-packed and dangerous mission, he meets two inexperienced characters who will become his future partners. One is a young man supported by his parents who adores women, and the other is a carefree and optimistic hustler. All three fail in their first mission. A woman they were supposed to protect is kidnapped by a gang of criminal brothers, who complicate the super agents' lives at every turn. In a game of betrayal where nothing is as it seems, the new Shark, Dolphin, and Mojarrita will manage to solve the case and assert their new, unconditional friendship.

Pampa in Patagonia. June 1982. A chance encounter between a mute Argentine man who isn't mute, a lying Chilean woman who tells the truth, and some terrifying but actually scared shitless English soldiers gives rise to a dramatic comedy that summarizes three opportunities—the same opportunities that Argentina, Chile, and England failed to take in June 1982.