Bridget Avildsen

A telepath roams Los Angeles, using strangers as puppets to commit random acts of violence.

Curled up in a ball in her cluttered bedroom, a young woman gets a notification that lands like a joke: DAILY CHALLENGE - Dance in a public place. Her answer: "Fine. What else do I have to lose?" Armed with an old cassette and a Walkman, she steps into Los Angeles - and tiny, guarded movements on a Metro car start to grow. The city notices. Some of it dances back. Five minutes. Almost no dialogue. One small, absurd act of courage that keeps getting bigger. A film about what it costs to be seen - and what it gives back.

Three best friends explore the world of online swipe dating in Los Angeles and quickly find out that anyone who judges you based on your salary or number of social media followers is someone who has their own soul-searching to do.

Filmmaker Bryce Hirschberg makes an auspicious directorial debut with this crime thriller centered around recent college graduate, Bridger (Hirschberg), and his desperate attempt to save his dying mother with the help of his friends, and his do-it-yourself method of counterfeiting money. Winner of 15 awards in over 20 international film festivals including Best Picture and Best Actor, COUNTERFEITERS takes you on a journey through Bridger, and his friends', final night of counterfeiting money before all hell breaks lose.

Curled up in a ball in her cluttered bedroom, a young woman gets a notification that lands like a joke: DAILY CHALLENGE - Dance in a public place. Her answer: "Fine. What else do I have to lose?" Armed with an old cassette and a Walkman, she steps into Los Angeles - and tiny, guarded movements on a Metro car start to grow. The city notices. Some of it dances back. Five minutes. Almost no dialogue. One small, absurd act of courage that keeps getting bigger. A film about what it costs to be seen - and what it gives back.

Curled up in a ball in her cluttered bedroom, a young woman gets a notification that lands like a joke: DAILY CHALLENGE - Dance in a public place. Her answer: "Fine. What else do I have to lose?" Armed with an old cassette and a Walkman, she steps into Los Angeles - and tiny, guarded movements on a Metro car start to grow. The city notices. Some of it dances back. Five minutes. Almost no dialogue. One small, absurd act of courage that keeps getting bigger. A film about what it costs to be seen - and what it gives back.

Curled up in a ball in her cluttered bedroom, a young woman gets a notification that lands like a joke: DAILY CHALLENGE - Dance in a public place. Her answer: "Fine. What else do I have to lose?" Armed with an old cassette and a Walkman, she steps into Los Angeles - and tiny, guarded movements on a Metro car start to grow. The city notices. Some of it dances back. Five minutes. Almost no dialogue. One small, absurd act of courage that keeps getting bigger. A film about what it costs to be seen - and what it gives back.