Naceur Ktari

“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.

Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.

“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.

“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.

Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.

Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.