David Greenberg

A French engineer moves to Israel with his wife and daughter to manage irrigation projects. His daughter Catherine feels excluded, and disappears.

A man pretends to be married to his ex-wife for the sake of his mother’s sanity. But when he finds love with his secretary, and later a 17-year-old, he ends up lost in confusion.

A journey through the surreal paintings of the artist, painter, and stage designer Yosl Bergner.

Directed by David Greenberg.

This cruel yet poetic experimental documentary examines the poetics of cruelty, as it describes the routine operation of a poultry slaughterhouse. The movie draws a comparison between the chickens and the other, the different, as it depicts the butchers and their cruelty. Although the movie is influenced by documentary classic Blood of the Beasts (1949) by Georges Franju, it differs in being devoid of any narration or text. The film also focuses on the cinematic form – color, editing and composition – as never before seen in Israel.

A French engineer moves to Israel with his wife and daughter to manage irrigation projects. His daughter Catherine feels excluded, and disappears.

A man pretends to be married to his ex-wife for the sake of his mother’s sanity. But when he finds love with his secretary, and later a 17-year-old, he ends up lost in confusion.

A man pretends to be married to his ex-wife for the sake of his mother’s sanity. But when he finds love with his secretary, and later a 17-year-old, he ends up lost in confusion.

A journey through the surreal paintings of the artist, painter, and stage designer Yosl Bergner.

Directed by David Greenberg.

This cruel yet poetic experimental documentary examines the poetics of cruelty, as it describes the routine operation of a poultry slaughterhouse. The movie draws a comparison between the chickens and the other, the different, as it depicts the butchers and their cruelty. Although the movie is influenced by documentary classic Blood of the Beasts (1949) by Georges Franju, it differs in being devoid of any narration or text. The film also focuses on the cinematic form – color, editing and composition – as never before seen in Israel.