Boris Barnet

Fighting Film Collection No. 10 (Boyevoy kinosbornik No. 10) is the tenth issue of Boyevoy kinosbornik series, released in June 1942. It contains two segments: "Bestsennaya golova/A Priceless Head" and "Molodoye vino/Young Wine". Both depict the anti-Nazi resistance, the first in Poland and the second in Romania.

Soviet propaganda film about communists plotting a violent attack on a Russian city. A local poet helps the communists and they glorify his poem about Lenin.

Lowly Mongolian trapper Bair, shunned by his fellow trappers for fighting with a trader, flees his trading post and joins the Soviet partisans trying to oust the occupying British forces. After Bair is captured and shot by the British, they find an amulet on him suggesting he is a descendant of Genghis Khan. The soldiers nurse Bair back to health and use him to establish a puppet government, unaware that their plan will backfire when the puppet breaks his strings.

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.

Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.

Fighting Film Collection No. 10 (Boyevoy kinosbornik No. 10) is the tenth issue of Boyevoy kinosbornik series, released in June 1942. It contains two segments: "Bestsennaya golova/A Priceless Head" and "Molodoye vino/Young Wine". Both depict the anti-Nazi resistance, the first in Poland and the second in Romania.

Soviet propaganda film about communists plotting a violent attack on a Russian city. A local poet helps the communists and they glorify his poem about Lenin.

Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.

Soviet agent Fedotov is air-dropped into Nazi occupied land. He changes over into Mr. Ekhert, a German entrepreneur wishing to take advantage of eastern worker slave labor in occupied Ukraine. Ekhert (Fedotov) enters into a partnership with a German entrepreneur who's son, Willie, is a high ranking Nazi. Together they go to Vinnitsa, Ukraine and start a factory. Fedotov begins seeking contacts with headquarters, but faces problems when a Ukrainian Nazi collaborator manages to infiltrate the Soviet partisans.

A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.

Set in 1955 when many migrated from Russia to the Steppes of Kazakhstan, this is the trip back to the Canal from the frontier and farms by a number of people who tell their settler stories. Alyonka Muratova is a winsome 13 year old who talks Dmitry Prokovich, the chief mechanic for the Soviet, into giving up his seat in the truck to a young mother with her infant daughter. Then Alyonka and Dmitry share the back of the open truck with a young woman, newly graduated dentist who has not been able to find a position, Stefan, a hitchhiker with a dog who hopes his upper-class wife will return to him and the countryside, and Vasselina Petrovolka, a woman who lost one of her twin daughters in a riding accident by the river shortly after they arrived, and now is returning to tell the other twin of her sister's fate. A warm hearted look at common folks traveling in the frontier.

One of Boris Barnet's contributions to the "films for the armed forces" series, about the suffering of Poles under Nazi occupation.

In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.

In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

The main character, Anna Denisova, is a simple Russian woman, on whose shoulders all the hardships of wartime fell. Like all her compatriots, Annushka did everything in her power to bring Victory Day closer. In this war, she lost her husband, Pyotr, but managed to save the lives of her three children — Sasha, Nina and Granata. The trials of Annushka didn't end with the end of the war. In the first years of peace, all survivors had to survive the famine and spend their last strength on rebuilding the country.

Film deals with Stakhanovite movement. Old miners try to sabotage young man's plan to renew methods of getting coal.

It's a story about two of the most famous russian personages. They become friends, and then go along on the path of glory in parallel.

A group of Moldavian folk musicians compete for the top Soviet prize. Singer Lyana loves the flautist, but he's fallen afoul of the group leader.

A group of Moldavian folk musicians compete for the top Soviet prize. Singer Lyana loves the flautist, but he's fallen afoul of the group leader.

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance

The war is over. The Red Army soldier Pyotr tries to find himself in a peaceful life. He takes the place of an accountant, and long-time friend Nazar, who has already grown to the post of the head of a collective farm, helps him in this. Together they achieve high performance indicators of their wards, skillfully solving controversial issues and emerging from confused situations.

Moscow academician Pavel Pavlovich comes to a picturesque village on the seashore to calmly spend his vacation here. Whiling away the time for sketches, he manages to get acquainted with the local guys, the restless Grishka and the daughter of the foreman Nyuska. Together they build a stove, repair a sewing machine, and reconstruct a telephone switchboard. When Pavel Pavlovich suddenly falls ill, all the villagers take care of him. When the time comes to leave, Pavel Pavlovich understands that in this village far from the capital, he leaves a piece of his heart.

Moscow academician Pavel Pavlovich comes to a picturesque village on the seashore to calmly spend his vacation here. Whiling away the time for sketches, he manages to get acquainted with the local guys, the restless Grishka and the daughter of the foreman Nyuska. Together they build a stove, repair a sewing machine, and reconstruct a telephone switchboard. When Pavel Pavlovich suddenly falls ill, all the villagers take care of him. When the time comes to leave, Pavel Pavlovich understands that in this village far from the capital, he leaves a piece of his heart.

The story of a young woman who, after her years at university in the city, returns to her hometown an engineer and begins work on a huge new power plant. She continues to supervise work on the plant throughout the war.

A Moscow hat shop girl chances upon a penniless young man who has arrived from the countryside for university and takes pity on him.

A group of Russian partisans hiding within a remote forest attempt to destroy a nearby German airfield, all the while assisting a downed French pilot who happens to fall madly in love with a local girl.

Soviet musical film-concert directed by Boris Barnet. Filmed in 1952 at the Kyiv Film Studio.

A girl, working in a German commandant's office, saves two wounded Russian pilots sacrificing her own life.

No synopsis available yet.

October reflects a general attempt in Russia to sustain the frenzy and dynamism of revolutionary fervour. This attempt increased in scale and ambition as they pushed it further, resulting in the theatricalisation of life. In other words, the boundaries between real events and fabricated drama became blurred as the portrayal of life became more exaggerated. It is important to remember that the film does not represent what actually happened during the 1917 Revolution, but is rather an adaptation.