Mohamed Zran

In Tunis, Adel a dreamer florist, falls in love with a pretty woman Dounia a director of a bank branch. To win her love, he uses the language of flowers and delivers her each morning the bouquets under a mysterious admirer.

Behind the counter of his shop, Simon, a grocer of Jewish denomination, has always been the confidant, the healer and the memory of the inhabitants of Zarzis, a small town in the south-east of Tunisia. His shop is a meeting-place for a collection of portraits; Tahar the progressive teacher; Hadi the accursed painter; Fatma the matchmaker; Béchir the taxi-driver... The shop turns in succession into a political and philosophical arena where everyone expresses their own vision of the world.

No synopsis available yet.

The image of an ageless black woman, who is called Oummi Fatma or Myriam or Selma, is engraved forever on the memory of every inhabitant of Zarzis, our small native town located in the south-east of Tunisia. This fantastic matchmaker of all work is indispensable because she is fully in charge of the complex ritual of the wedding ceremony and facilitates the bride and groom's difficult transition to married life. Oummi Fatma is one of the last women of her generation who still goes through this ritual whose secrets she alone knows and which a brutal modernization threatens to end forever.

Lilia is a girl with magnetic, hypnotic and rare beauty that gives her a power of seduction which she uses and abuses with impunity, until the day she falls madly in love with her alter-ego.

In Tunis, the chance encounter between Nidal, a teenager who begs to support his family, and Amine, a famous painter in his forties who faces a crisis of creation.

In Tunis, Adel a dreamer florist, falls in love with a pretty woman Dounia a director of a bank branch. To win her love, he uses the language of flowers and delivers her each morning the bouquets under a mysterious admirer.

In Tunis, Adel a dreamer florist, falls in love with a pretty woman Dounia a director of a bank branch. To win her love, he uses the language of flowers and delivers her each morning the bouquets under a mysterious admirer.

Behind the counter of his shop, Simon, a grocer of Jewish denomination, has always been the confidant, the healer and the memory of the inhabitants of Zarzis, a small town in the south-east of Tunisia. His shop is a meeting-place for a collection of portraits; Tahar the progressive teacher; Hadi the accursed painter; Fatma the matchmaker; Béchir the taxi-driver... The shop turns in succession into a political and philosophical arena where everyone expresses their own vision of the world.

No synopsis available yet.

The image of an ageless black woman, who is called Oummi Fatma or Myriam or Selma, is engraved forever on the memory of every inhabitant of Zarzis, our small native town located in the south-east of Tunisia. This fantastic matchmaker of all work is indispensable because she is fully in charge of the complex ritual of the wedding ceremony and facilitates the bride and groom's difficult transition to married life. Oummi Fatma is one of the last women of her generation who still goes through this ritual whose secrets she alone knows and which a brutal modernization threatens to end forever.

Lilia is a girl with magnetic, hypnotic and rare beauty that gives her a power of seduction which she uses and abuses with impunity, until the day she falls madly in love with her alter-ego.

In Tunis, the chance encounter between Nidal, a teenager who begs to support his family, and Amine, a famous painter in his forties who faces a crisis of creation.

In a Tunisian village, most of the men have emigrated. The stone-breaker hasn't gone away. His wife harasses him.

Mohamed Zran moves around rural Tunisia, from the lush green North to the dry South, talking to young and old, asking them about their lives and the situations they find themselves in.

Mohamed Zran moves around rural Tunisia, from the lush green North to the dry South, talking to young and old, asking them about their lives and the situations they find themselves in.