Bruce MacDonald

Laura Simms has an exciting job as a top magazine editor, but her love life's a disaster. Her luck seems to change when she meets Gabriel, a handsome but mysterious man who believes in old-fashioned love and marriage.

When boxer Murray Ritchie is framed for rape, he loses his chance of a long-awaited title fight. Released too late by the police, he blames Jack, his veteran trainer and manager, and goes over to rival promoter Tony Farrington. Needing the money, Murray is encouraged to turn to the rough and seedy unlicensed circuit for a fight that would see him banned from professional bouts.

Shirley Peters is dead. Murdered. Her body is found twelve hours later in her own home. Just one of the many sordid domestic crimes hitting the city. Tony Macliesh, her rejected boyfriend, is the obvious prime suspect and he’s just been picked off the Aberdeen train and put straight into custody. But then another woman is sexually abused and throttled to death. And suddenly there appears to be one too many connections between these seemingly unrelated crimes. Detective Inspector Resnick is sure that the two murders are the work of one sadistic killer – two lonely hearts broken by one maniac. And it’s up to Resnick to put the record straight – and put the bastard where he belongs

The documentary shows how Cakchiquel Maya of a village on Lake Atitlan in Guatemala adapted to changes that took place in the decades before the film was made, when the lake became a favoured spot for holiday homes, and the village was filled with streams of tourists. While the filmmakers were officially welcomed and given permission to film, in practice many people hid their faces and did not co-operate. Some even threw stones at the camera crew. The film team tried to find an explanation of the Maya hostility to the camera.

Laura Simms has an exciting job as a top magazine editor, but her love life's a disaster. Her luck seems to change when she meets Gabriel, a handsome but mysterious man who believes in old-fashioned love and marriage.

When boxer Murray Ritchie is framed for rape, he loses his chance of a long-awaited title fight. Released too late by the police, he blames Jack, his veteran trainer and manager, and goes over to rival promoter Tony Farrington. Needing the money, Murray is encouraged to turn to the rough and seedy unlicensed circuit for a fight that would see him banned from professional bouts.

Shirley Peters is dead. Murdered. Her body is found twelve hours later in her own home. Just one of the many sordid domestic crimes hitting the city. Tony Macliesh, her rejected boyfriend, is the obvious prime suspect and he’s just been picked off the Aberdeen train and put straight into custody. But then another woman is sexually abused and throttled to death. And suddenly there appears to be one too many connections between these seemingly unrelated crimes. Detective Inspector Resnick is sure that the two murders are the work of one sadistic killer – two lonely hearts broken by one maniac. And it’s up to Resnick to put the record straight – and put the bastard where he belongs

The documentary shows how Cakchiquel Maya of a village on Lake Atitlan in Guatemala adapted to changes that took place in the decades before the film was made, when the lake became a favoured spot for holiday homes, and the village was filled with streams of tourists. While the filmmakers were officially welcomed and given permission to film, in practice many people hid their faces and did not co-operate. Some even threw stones at the camera crew. The film team tried to find an explanation of the Maya hostility to the camera.