Shaun Williamson

Set in a world where the concept of lying doesn't exist, a loser changes his lot when he invents lying and uses it to get ahead.

Alex masterminds an ambitious plan to steal millions of untraceable cash that is stacked in the underground vaults of The London Exchange Bank, waiting for its last journey, Incineration. Lucky, Matty, Terry, Chubby, Norman and Jay make up his unlikely gang of robbers. Setting up their alibi, the gang check in for a flight and join in with thousands of England supporters that are part of a mass exodus to The World Cup Tournament in Germany.

The rebirth of Amnesty International's legendary SECRET POLICEMAN'S BALL at the Royal Albert Hall on 14th October - after a 15 year hiatus - was a resounding success. Bigger, Better and Ballsier than ever before, 'The Ball In The Hall' is a non-stop, rapid-fire, relentless smorgasbord of comedy and music. 6,000 people turned up to create a fantastic atmosphere as some of the best contemporary comic and music talent from both sides of the Atlantic delivered one show-stopping performance after another. Featuring never-before-seen collaborations, brand new sketches, explosive stand-up, off-stage performances, surprise ingredients and an anthem for the world, there has been nothing like it in the comedy world for years.

A young Glaswegian prostitute in London tries to start a new life.

The Lock-In never ends. Consisting entirely of pub footage from the British soap opera EastEnders, it is endless inasmuch as its source is endless and its makers living.

Gemma is delighted to be recruited by the Serious Crimes Agency, but sadly they don't want Terry because of his criminal past.

First broadcast on Channel 5 [UK] on 24th December 1997. Produced by Richard Hearsey.

The cast of Extras talking about corpsing on set.

Seven people and their desperate search for escape, only one will survive. The last performance of a pantomime is held at an old, isolated theater in provincial England. The show has been a disaster, attracting only a handful of locals. The final party afterwards turns out even worse and some of the cast and crew slip away for their own private session in the creepy basement. Amongst the group are the enviable pantomime leads and real-life lovers Clarice and Nathan, currently not speaking, the womanizing director Derrick and the thirty-something, obscure stage assistant Janet. As their bash kicks off Derrick disappears, only to be found with his throat savagely slashed. When they discover that they're locked in the next victim dies. The killing continues. Paranoia grows. Nobody can be trusted.