Abdellatif Hilal

The film revolves around "Riyadh"; the historical and archeological house owned by al-Muti. Some of the brokers, especially the brother of Haj Hamman, try to pay Mu'ti to sell him in any way. But Hajj Muti insists on his position, clinging to Riyadh, the symbol of his national identity, and stands a stumbling block in front of the broker.

A visual artist faces financial obstacles that prevent him from achieving his goals. A wealthy woman takes care of his finances, and he accepts her marriage proposal. Although she provides financial assistance, he is unhappy and dreams about Chadia, a fictional woman he paints who lives with him and nearly becomes real. Her effect is unavoidable, making his wife jealous.

At the beginning of the fourteenth century, Abou Salim al Juraï, Minister to the Sultan, returns from a victorious pacifying campaign across the provinces. He is welcomed by the judge Ibn al Hafid and the new governor Germon two high ranking dignitaries of the city of Salé locked in a covert rivalry. During the welcome banquet, an incident disrupts the festivities, bringing Abou Salim al Juraï into direct confrontation with Chama, a young enslaved woman. Captivated by her extraordinary beauty, the Minister immediately asks her master for her hand in marriage. For the former slave Chama, this marks the beginning of a tumultuous life as she must navigate the dangerous intrigues of the powerful.

A young lawyer finds herself facing one of the most difficult cases of her life when her own father is accused of a crime. As she fights to prove his innocence, she is forced to confront the corruption, injustice, and abuse of power surrounding the case. Her search for the truth gradually brings painful memories and hidden secrets from the past to the surface, threatening to change everything she thought she knew about her family and those around her.

A young woman attending a conference in Tangier with her husband is kidnapped and raped, but rebuilds her relationship with her husband on a trip to the south of Morocco.

A mixed cast of Egyptians, Libyans and Moroccans address the issue of corruption among young people, many of whom seem to be suffering greatly from the lingering effects of war.

Karim decides one day to leave his village in the Rif and to venture into the big city of Casablanca where he must conquer, first to live, then to express himself.