Manuel Vignau

When their dad unexpectedly dies, two estranged sisters are brought together when they find his stash of millions behind a wall. But should they keep it?

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

Lucio is staying at his sister's house. He has no job and spends his days reading, drawing and watching television. When his sister and her boyfriend leave for a short trip Lucio takes over the whole house but strange things begin to happen.

After his girlfriend Laura leaves him for another man, Bruno plans to come between the new lovers. But his plan takes an unexpected turn, causing Bruno to question his own sexuality.

Eugenio spends the summer looking after his aunt and uncle’s house - a place that once belonged to him - while seeking inspiration for a screenplay he is writing. Martín, currently unemployed, offers to handle various repairs around the house. The two met long ago as children but had not seen each other since. However, their renewed connection is built on deception: Martín has nowhere to sleep but lies to Eugenio about it, while Eugenio seems interested in Martín as something more than just a friend.

For an entire year, a small town up northeast Argentina undertakes the construction of a hotel. Young Isabel goes through the first-hand experience of a clash of cultures.

Ana and Francisco go through the experience of their first pregnancy, when they find out that something will not be as they expected...

Paula, a 32-year-old actress, unexpectedly stops a robbery at a café and appears on the TV and newspapers. But as the days go by and her fame fades away, we begin to see a woman who works as something else and has moved away from her profession. As Paula struggles to assume her situation, she will get in touch with some past relations. Confronting them will put her back on the scene.

After the suicide of her best friend, Amparo secludes herself in a mourning pervaded by doubts and memories. Daring to continue her friend’s unfinished work proves to be the only way to move on.

Ariel and Franco, live their present moments together, cocooned in their inner sanctum, refuting any possibility of an 'outside'. This 'outside' does not disturb, does not destroy the couple's warmth and tenderness, but it is just.. there. And this 'outside' suggests, ever so precariously, the couple's barely perceptible boundaries.

A man awaits his execution by firing squad. His final wish before dying can only be granted by those standing before him: male soldiers.

The kidnapping 77-year-old man in Argentina forces his daughter to return to Buenos Aires after years of exile abroad.

Diego is a young man who lives precariously in Mar del Plata. Convinced that he no longer has a future in his country, he tries to obtain the birth certificate of his Catalan grandfather, which will allow him to obtain a European passport. Finally he manages to travel, although without having his papers in order. With his visa expired and without having obtained the game, he discovers that not everything is as he had dreamed.

A couple is in crisis after the recent birth of their first daughter. She prepares a surprise birthday with the intention of saving everything, but the guests, friends of his, only complicate it. Circumstances do not help the evening: A defining soccer match that some want to see, the little daughter who sleeps in the room and no one should wake up, and a strange Italian guest that the men recently met On a trip to Córdoba, they strain the wait for the night to the maximum. The guest, for mysterious reasons, is delayed longer than necessary. When When he finally arrives, that home becomes a battlefield where these Immature adults seem capable of anything to continue holding the line. appearance of being happy.