Thomas Cheysson

A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

A trucker, an accountant, a former plumber hospitalised after a suicide attempt... Presided over by the accountant, the three families decide to buy a truck, a trucker's dream. The father, practical joker, and larger-than-life lover, keeps a watchful eye. The children are his accomplices. One is his heroine. His daughter is his other heroine. A puzzle of life's desires in which all veers into the imaginary, into dreams of far-off lands.

No synopsis available yet.

Following the great explorers’ footsteps, “Congo River” takes us up one of the world’s greatest river basins, from its mouth to its source. All the way along its 2,716 miles, we pass places that testify to the country’s tumultuous history, and encounter the ghosts of those who shaped its destiny: Stanley, the explorer, Leopold II, the colonizer, Mobutu, the despot. We also cross paths with an entire people – boatmen guiding their dugout canoes, fishermen, traveling salesmen, military personnel and rebels, women and children – searching for light and dignity.

A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

A trucker, an accountant, a former plumber hospitalised after a suicide attempt... Presided over by the accountant, the three families decide to buy a truck, a trucker's dream. The father, practical joker, and larger-than-life lover, keeps a watchful eye. The children are his accomplices. One is his heroine. His daughter is his other heroine. A puzzle of life's desires in which all veers into the imaginary, into dreams of far-off lands.

No synopsis available yet.

Following the great explorers’ footsteps, “Congo River” takes us up one of the world’s greatest river basins, from its mouth to its source. All the way along its 2,716 miles, we pass places that testify to the country’s tumultuous history, and encounter the ghosts of those who shaped its destiny: Stanley, the explorer, Leopold II, the colonizer, Mobutu, the despot. We also cross paths with an entire people – boatmen guiding their dugout canoes, fishermen, traveling salesmen, military personnel and rebels, women and children – searching for light and dignity.