Milan Kuchynka

No synopsis available yet.

A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.

Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.

Hundreds of Czech men and women attend tantric seminars. Although yoga and various forms of meditation are quite widespread in the Western world, people often confuse tantra with, for example, the Kama Sutra, and perceive it solely for its sexual aspect. The creator of the new documentary film Tantra was interested in whether such a simplification corresponds to reality and whether there is any way to use this ancient teaching to improve life, romantic relationships, and family bonds in the present day. The documentary Tantra by screenwriter and director Benjamin Tuček offers a glimpse into the world of tantric seminars led by experienced instructors John Hawken and Alan Lowen.

Anna is a controversial influencer and best known for her provocative online content, but suddenly she goes silent on her social media profiles and mysteriously stops posting any updates. When 15-year-old Nina finds a half-naked photo of Anna on her dad's phone, she decides to track down the missing influencer.

Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?

No synopsis available yet.

No synopsis available yet.

A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.

Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.

Hundreds of Czech men and women attend tantric seminars. Although yoga and various forms of meditation are quite widespread in the Western world, people often confuse tantra with, for example, the Kama Sutra, and perceive it solely for its sexual aspect. The creator of the new documentary film Tantra was interested in whether such a simplification corresponds to reality and whether there is any way to use this ancient teaching to improve life, romantic relationships, and family bonds in the present day. The documentary Tantra by screenwriter and director Benjamin Tuček offers a glimpse into the world of tantric seminars led by experienced instructors John Hawken and Alan Lowen.

Anna is a controversial influencer and best known for her provocative online content, but suddenly she goes silent on her social media profiles and mysteriously stops posting any updates. When 15-year-old Nina finds a half-naked photo of Anna on her dad's phone, she decides to track down the missing influencer.

Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?

They started working for the Karlovy Vary festival around the same time and soon worked themselves up into the festival’s management. Since then, they have helped shape the festival for more than twenty years, during which time they have been bonded by a sense of friendship and collegiality that far transcends their working lives. Kryštof Mucha, Karel Och, and Petr Lintimer. President Jiří Bartoška calls them the “architects of the festival,” and now you can get to know them up close and personal thanks to directors Milan Kuchynka and Jakub Jurásek.

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

A man who deals with parcels at an airport cargo company finds that he likes planes more than people.

A film about various forms of drugs – American cinema, rock music, and heroin. Together with the protagonist, we experience the bohemian life of young filmmakers, shocking erotic experiences, and the first drastic attempts with drugs. From the initial cool experiment with drugs, we then go through hell and purgatory. A good friend can help with the return, but so can the will to start over, to forgive those who (perhaps) wronged him, to realize that I am mainly to blame for everything...

A young trombone player spends an adventurous night trying to open an impossible bottle of wine. An unconscious girl, a crooked bookcase and some mold get in his way.

Jiří Bartoška, a charismatic glossator of the surrounding world and the owner of one of the most interesting domestic destinies of the past half century, was far from looking at himself admiringly in the mirror of memories. The president of the Karlovy Vary Film Festival vehemently rejected proposals for a biographical book or a film portrait, annoyed by the pathos associated with official versions of his life stories. All the more valuable is the bard's sympathetically informal interview with producer Milan Kuchynka, in which he touches on a variety of topics - from high school studies to the Velvet Revolution to meetings with stars - with insightful ease, sharp irony and loving wisdom. (Karlovy Vary IFF)