Geert Vindahl

A powerful modern film narrative, set in a historical framework, about the crucial encounter between vulnerable eighteen-year-old Hans Christian Andersen, who rates himself so highly, and Mr. Meisling, the cynical school principal. An encounter that fundamentally transforms Hans Christian's life.

John and René are in their twenties, close friends but different enough for René to be nicknamed Thunderbird, while John remains just plain John. John feels irresistibly drawn into Thunderbird's orbit, but René isn't all flash. He actually longs to share John's plainness and quiet calm.

Susanne, a journalist, and Morten, a cellist, desperately want a child, but are unsuccessful. The situation leads to desperate acts, occasional drunkenness, and solace for her with a discreet lover.

This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

Being yourself – and above all your own master – that is what the film is about. After a short stay at a girls' home, Annie returns to society and has to adapt once again. It isn't long before Annie gets involved in a deadly fight and is even taken to the police station and brought before the court. Fortunately, one of the jurors takes an interest in her and offers to take care of her and give her a home. However, Annie cannot stand this home and runs away.