Ladislav Kolář

When the Tugendhat family had their villa built in the late 1920s, they had no idea how many stories it would inspire. A few years ago, British writer Simon Mawer wrote a novel called "The Glass Room." The novel tells the story of Liesel and Viktor Landauer, set in Brno between the two world wars. He was a promising industrialist, she was a rich beauty from a good family. As a wedding gift, they received a plot of land and had an Austrian architect build them a monumental house made of glass and concrete. Inside the house, their family life unfolds, but so do passionate stories of infidelity and even lesbian love. Through the glass of their villa, however, they can also observe the brown threat approaching from Hitler's Germany and the transformations of the young Czechoslovak Republic. When the threat becomes real, the Landauers understand that their time in the fictional City and in the house with the glass room has come to an end.

A loose adaption of Bára Nesvadbová's novel of the same name. A novel that lacks a dramatic line and concentrates on the flow of emotions and feelings of two injured and beloved women, two women that the aging lothario Mára came between. The theme of the entire book is the degree and limit of love, a right and ability to love several people simultaneously while hurting them at the same time. Written by Czech Film Center

No synopsis available yet.

A man who believes his days are numbered is saddled with more bad luck than he expects in this metaphorical comedy-drama from director Ivo Trajkov. Ever since he was a boy, Josef (David Svehlik) was been convinced he's destined to die at the age of 29, so he's understandably nervous as his 28th year is drawing to a close. Fate doesn't appear to be on Josef's side when his wife asks for a divorce and moves out, taking their young son with her, and he's next fired from his job fixing scales. Josef is in an unsettled state of mind, and his new friendship with free-spirited Gabriel (Karel Zima) doesn't help much, but Josef begins to wonder if luck is on his side again when he meets a lovely and warmed hearted woman, Olivia (Verica Nedeska).

Magic and spells in the peaceful town of Jack-o'-lantern, which you will not find on any map. A funny story telling you how a magician's visit can turn his life back and how Ondra may have been fortunate enough. In the poetic fairy-tale grotesque, taking place in the non-existent town of Jack-o'-lantern, the time has stopped. The hands on the clocks show twelve minutes in twelve minutes, as if they were symbolically giving the last chance. Only the mysterious figure of Acrude knows how the story of the bluddy and the fate of his heroes will come. The well-known clairvoyant Heliodromus arrives in town. In front of school, the main hero of the story Ondra is acquainted with his daughter, Adelka...

Kamila Bendová is a successful woman. She is fully fulfilled in her work and could be described as a workaholic. She is 39 years old and lives alone, except for occasional meetings with her boyfriend Igor. After a disagreement with him, she allows her friend Irena to persuade her to go on a weekend trip to Vienna. However, there is one problem on the way - a stop in South Moravia and a meeting with Laďa Bednařík, a fifty-year-old veterinarian who has been treated for alcoholism three times.

A story about life and problems of eleven years old boy Michal.

No synopsis available yet.

An intimate psychological film which elaborates the Faustian theme about the dispute between the body and the soul - a study on human identity. Two young doctors carry out the surgical exchange of the brains of two women who are dying after a car accident - a young girl and member of a criminal gang, and a lonely seventy-year-old associate professor of oriental studies. The young girl wakes from the operation thinking like the elderly intellectual and tries in vain to live with her new identity. (https://www.filmovyprehled.cz/en/film/22344/double-role)

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The Battle of Moscow is a 1985 Soviet multi-part war narrative, presenting a dramatized account of the 1941 Battle of Moscow and the events preceding it. The battle was the first major defeat of German Wehrmacht in the Second World War.

No synopsis available yet.

Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.

Children join folklore groups at an early age, but their relationship to them is formed only gradually, there are more than enough external stimuli that affect them. However, the prospect of performing abroad changes their relationship to folk songs and dances and disrupts their previously strong friendships. Although the film deals with child protagonists and is also aimed at a child audience, it can undoubtedly appeal to adults as well, as it tackles issues affecting parents.

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.