Sergey Oldenburg-Svintsov

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

Dina is a successful business woman, she has everything: carrier, money, family. But her life turned around when her private helicopter crashed in vast expanses of snowing taiga. She miraculously survived. The nomadic tribe whose life has not changed for centuries finds her. Now she will have to fit in. But does she have any chance to get back home or is she lost in the north forever?

1953 year. Moscow says goodbye to the leader. In the funeral crowd, Eugene met with Elya. During the long hours spent in the funeral procession, they managed to learn a lot about each other ... But Elia absurdly dies. So Zhenya begins another, adult life ...

Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.

No synopsis available yet.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

Dina is a successful business woman, she has everything: carrier, money, family. But her life turned around when her private helicopter crashed in vast expanses of snowing taiga. She miraculously survived. The nomadic tribe whose life has not changed for centuries finds her. Now she will have to fit in. But does she have any chance to get back home or is she lost in the north forever?

Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.

Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.

No synopsis available yet.