Leo Tabosa

Look around. Everything you see and touch can taste like vanilla.

This popular international series continues with this third volume of five short films focusing on men, including: Vanilla [Baunilha] (2017); Lightrapping (2016); Polaroid (2014); Five Minutes a Day [Cinco Minutos Por Dia] (2018); My Brother [Mio fratello] (2015).

On the eve of the Feast of St. John, Francisca, who is a widow about to turn 75, is on the verge of exploding like fireworks.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Due to her father’s death, Marie returns to the countryside after 15 years. Her childhood friend, Estêvão, is leaving with her on a trip to Crato, her father’s hometown.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

Look around. Everything you see and touch can taste like vanilla.

Look around. Everything you see and touch can taste like vanilla.

This popular international series continues with this third volume of five short films focusing on men, including: Vanilla [Baunilha] (2017); Lightrapping (2016); Polaroid (2014); Five Minutes a Day [Cinco Minutos Por Dia] (2018); My Brother [Mio fratello] (2015).

On the eve of the Feast of St. John, Francisca, who is a widow about to turn 75, is on the verge of exploding like fireworks.

On the eve of the Feast of St. John, Francisca, who is a widow about to turn 75, is on the verge of exploding like fireworks.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Due to her father’s death, Marie returns to the countryside after 15 years. Her childhood friend, Estêvão, is leaving with her on a trip to Crato, her father’s hometown.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.

A short film that tells the stories of six transvestites who carry out different professional activities not linked to prostitution in the state of Pernambuco. The documentary shows how their lives can be as ordinary as anyone else's.

A foreigner's difficulties in adapting to his new reality.

No synopsis available yet.

No synopsis available yet.