Martha Alencar

The man who changed Brazilian journalism. The film focuses on the period of Samuel's life spanning from 1951—the year the newspaper Última Hora was founded—to the mid-1960s, when its decline began.

The heroes of Golden Oldies 1— Juca, PR, and Montanha — are back, following different routes. Montanha lives in an old mansion and gets ready to reunite with his friends. Once together again, the three friends get into hilarious situations.

Lalau (Gregorio Duvivier) is presented by the country's interior with his show jokes, whose main theme is her father, Ramon Velasco (Tarcisio Meira), an actor who always gets into shenanigans. One day, when present in Ceará, Stan receives a tempting proposal by Flora (Flávia Alessandra), which offers $ 100,000 so he pretends to be a famous guru in a motivational speech in Rio de Janeiro. He accepts and goes to Rio without telling his father. After seeing his son on the cover of a newspaper, Ramon decides to go after him and creates many characters to ensure their part.

A reflection on the construction of the Brazilian political class, from Getúlio Vargas until the beginning of the 21st century. To the historical facts is added a cunning and ambitious Brizola, but above all passionate about the Brazilian people.

Armando Costa was one of Brazil's most successful authors, both in terms of audience and critical acclaim, responsible for shows like "A Grande Família" and "Malu Mulher." Despite this, he didn't care about fame or signing his works.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

The heroes of Golden Oldies 1— Juca, PR, and Montanha — are back, following different routes. Montanha lives in an old mansion and gets ready to reunite with his friends. Once together again, the three friends get into hilarious situations.

Lalau (Gregorio Duvivier) is presented by the country's interior with his show jokes, whose main theme is her father, Ramon Velasco (Tarcisio Meira), an actor who always gets into shenanigans. One day, when present in Ceará, Stan receives a tempting proposal by Flora (Flávia Alessandra), which offers $ 100,000 so he pretends to be a famous guru in a motivational speech in Rio de Janeiro. He accepts and goes to Rio without telling his father. After seeing his son on the cover of a newspaper, Ramon decides to go after him and creates many characters to ensure their part.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

Writer Sílvio Proença needs to travel to São Paulo in order to promote his new book. At the airport, he meets a group of old mates. With the boarding canceled due to a strong storm, the group goes to the apartment of Marialva, daughter of one of Proença's friends. Seduced by Marialva's music and charms, Proença spends the night there, where he wakes up the next day, completely naked. Still groggy from his hangover, he goes to pick up the bread left outside the apartment; that's when the wind closes the door and leaves him naked outside.

Documentary about the 68-generation, told through the story of the newspaper “O Sol”, one of the first vehicles of the alternative Brazilian press, produced daily for six months, in the 1960s. The newspaper spoke of culture, politics and education through satires and prominent figures in the cultural scene of the time passed through him. Archive scenes and music from the period seek to reconstitute the spirit of the 68-generation. The film has the participation of personalities such as Ziraldo, Zuenir Ventura, Arnaldo Jabor, Chico Buarque, Caetano Veloso, Carlos Heitor Cony, Fernando Gabeira, Betty Faria, Hugo Carvana, among others.

No synopsis available yet.

No synopsis available yet.