Directing

Nathan Axelrod

Known for

Directing

Credits

6 titles

Known for

Behind the camera

No artwork available
NR

Shlomo, a local Eilatian bachelor is in search of a bigger flat where he can conduct his experiments with a revolutionary cooling machine he had invented. Eilat, however, is in the grips of a housing crisis, meaning only couples are eligible to apply for bigger council flats. The only problem is, Eilat is also very much in short supply of single women. With that in mind, Shlomo decides to try his luck in Tel Aviv and heads to the big city.

Bring Out the Girls to Eilat

1964

No artwork available
NR

Shlomo, a local Eilatian bachelor is in search of a bigger flat where he can conduct his experiments with a revolutionary cooling machine he had invented. Eilat, however, is in the grips of a housing crisis, meaning only couples are eligible to apply for bigger council flats. The only problem is, Eilat is also very much in short supply of single women. With that in mind, Shlomo decides to try his luck in Tel Aviv and heads to the big city.

Bring Out the Girls to Eilat

1964

No artwork available
NR

Shlomo, a local Eilatian bachelor is in search of a bigger flat where he can conduct his experiments with a revolutionary cooling machine he had invented. Eilat, however, is in the grips of a housing crisis, meaning only couples are eligible to apply for bigger council flats. The only problem is, Eilat is also very much in short supply of single women. With that in mind, Shlomo decides to try his luck in Tel Aviv and heads to the big city.

Bring Out the Girls to Eilat

1964

On the Ruins poster
6.5

Directed by Nathan Axelrod and Alfred Wolf.

On the Ruins

1938

No artwork available
10.0

A tailor and his wife, two tourists and two settlers get mixed up with costumes and confusion during the Purim celebration of the 'AdLoYada' in Tel Aviv.

Va'Yehi Be'May

1932

The True Story of Palestine poster
8.0

Hundreds of hours of raw material shot by Nathan Axelrod, a pioneer of Israeli filmmaking before the State of Israel who documented the building of the Jewish Yishuv in Palestine – are the building blocks of the film before us: Meir Dizengoff riding his horse, Hannah Maron as a young girl trying to sell us shoelaces, the inauguration of the new port in Tel Aviv, settlers breaking ground in Hanita, the Habima Theater and Hannah Robina, the stars of the Matateh Theater, two kids tap-dancing, Ben Gurion and Shlonsky`s hair-dos, a Tel Aviv soccer match, the illegal immigration, scenic shots (swamps and desert), and more and more from the never-ending treasures of the “Carmel Films” archive.

The True Story of Palestine

1962