
Acting
Roy Hay
Born 1961-08-12 · Southend, Essex, England, UK
Roy Ernest Hay is the guitarist-keyboardist with Culture Club, a band of the 1980s fronted by Boy George. Hay, a trained pianist since the age of five, replaced founding member Johnny Suede in 1981. Description above from the Wikipedia article Roy Hay, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting credits
NRSet against the backdrop of 1980s Britain, four young men – Boy George, Roy Hay, Mikey Craig, and Jon Moss – formed a multi-racial, ethnically diverse, and sexually liberated band with a style and sound that challenged the status quo during the era of New Romantics and Margaret Thatcher’s Britain.
Boy George & Culture Club
2026
NRA collection of 17 Promo Videos by Culture Club. Also includes "A Kiss Across The Ocean" Live concert filmed at the Hammersmith Odeon, London, December 1983
Culture Club: Greatest Hits
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8.0Location - London's Hyde Park Date - 4th July 1999 Madness: "Our House"; S Club 7: "Bring it all Back"; Boyzone: "No Matter What"; Geri Halliwell: "Look at Me"; Texas: "Blacked Eyed Boy"; Steps: One for Sorrow". It all goes on and on and on with simply the best on this 120 minute concert recording of the Party In The Park
Party in the Park 1999
2002
NRFew new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious popsoul. Boy George and Culture Club are now on a US tour, after the recent release of their latest single “How to Be a Chandelier”. Having delivered over tens of thousands of concerts all over the world, Boy George and Culture Club will be performing for the first time ever LIVE to cinema audiences all over the world in February 2023.
(LIVE) BOY GEORGE AND CULTURE CLUB
2025
8.0For this very special hometown show, all four original band members—Boy George, Jon Moss, Roy Hay and Mikey Craig–reunited for one final show together at the historic Wembley Arena in London.
Culture Club - Live at Wembley World Tour 2016
2017
2002 documentary on the history of the 1980s New Romantic band-- Culture Club.
Smash! The Culture Club Story
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5.0In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio.As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion.The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.
Boy George and Culture Club: Karma to Calamity
2015
5.3Recorded live at Hammersmith Odeon December 1983 1 - I'll Tumble 4 Ya 2 - Mister Man 3 - It's A Miracle 4 - Karma Chameleon 5 - Black Money 6 - Love Twist 7 - Do You Really Want To Hurt Me 8 - Miss Me Blind 9 - Church Of The Poision Mind 10 - Victims 11 - Time 12 - White Boy 13 - Melting Pot.
Culture Club: A Kiss Across the Ocean
1984
5.0Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.
Culture Club Live At The Royal Albert Hall 20th Anniversary Concert
2002