Mikey Craig

Set against the backdrop of 1980s Britain, four young men – Boy George, Roy Hay, Mikey Craig, and Jon Moss – formed a multi-racial, ethnically diverse, and sexually liberated band with a style and sound that challenged the status quo during the era of New Romantics and Margaret Thatcher’s Britain.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious popsoul. Boy George and Culture Club are now on a US tour, after the recent release of their latest single “How to Be a Chandelier”. Having delivered over tens of thousands of concerts all over the world, Boy George and Culture Club will be performing for the first time ever LIVE to cinema audiences all over the world in February 2023.

A collection of 17 Promo Videos by Culture Club. Also includes "A Kiss Across The Ocean" Live concert filmed at the Hammersmith Odeon, London, December 1983

Location - London's Hyde Park Date - 4th July 1999 Madness: "Our House"; S Club 7: "Bring it all Back"; Boyzone: "No Matter What"; Geri Halliwell: "Look at Me"; Texas: "Blacked Eyed Boy"; Steps: One for Sorrow". It all goes on and on and on with simply the best on this 120 minute concert recording of the Party In The Park

For this very special hometown show, all four original band members—Boy George, Jon Moss, Roy Hay and Mikey Craig–reunited for one final show together at the historic Wembley Arena in London.

In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio.As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion.The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

2002 documentary on the history of the 1980s New Romantic band-- Culture Club.

Recorded live at Hammersmith Odeon December 1983 1 - I'll Tumble 4 Ya 2 - Mister Man 3 - It's A Miracle 4 - Karma Chameleon 5 - Black Money 6 - Love Twist 7 - Do You Really Want To Hurt Me 8 - Miss Me Blind 9 - Church Of The Poision Mind 10 - Victims 11 - Time 12 - White Boy 13 - Melting Pot.