Eija Pokkinen

Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his travel companion. Together they find reclusion in the Finnish Lapland, soon to be disturbed by a noisy group of foreign tourists and their pretentious Finnish hosts. When the hare gets ill and needs to see a vet, Vatanen must return to the city and finally face the choice between his new and former life

Recollections of a Helsinki Bourgeois

A lonely young suburban housewife participates in a radio interview survey while simultaneously engaging in an extramarital affair.

Jussi is a magazine editor who lives in an inherited apartment in Kruununhaka with his sister Eeva, who works as a summer editor, and his flight attendant girlfriend Leena.

During the Battle of the Bulge, an anachronistic count shelters a ragtag squad of Americans in his isolated castle hoping they will defend it against the advancing Germans.

After a mixup at the check-in, Aimo Niemi boards a charter plane bound for the sunny island of Rhodes, Greece, instead of the Innsbruck Winter Olympics he's packed for. It's the early days of package tourism, and he is too shy and clueless to really sort out any of his problems — a suitcase filled with women's clothes, a flirtatious female roommate, and no money to buy food since he was prepared for full room & board in Austria.

’Distance’ is an award-winning, independent feature film exploring the distance between men and women through the intertwined stories of two couples. Made by the filmmaker while he was still in his 20s, ‘Distance’ features Oscar-nominee James Woods in his first leading role.

These space people have cat eyes and a disintegrating pistol; and when they touch a woman 's lips with their magic kiss.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.