Judy Gridley

Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.

A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak has to manage the project and the men as they encounter the tempations of the West and loneliness and separation from their families. Nowak is the only one of the group who speaks English, and he uses this as a tool over his team. When the unrest in Poland leads to a military takeover, Nowak is faced with a much more difficult situation than he expected.

In Frankie Howerd's third Up... film it's World War I and he plays Lurk, an absolute cowerd, er coward. He's evading the call-up for all he's worth. But one evening he's hypnotised by a drunken hypnotist (Stanley Holloway) into being brave, but he fails to be released from it. So with his yellow streak gone Lurk is down that army office before you can say "titter ye not." Off to war he goes, mingling with sexy spies like Zsa Zsa Gabor and before long, the spellbound recruit is heading hot-foot back to Blighty with the Germans' plan of attack tattooed on his bum, and the Germans are bringing up the rear...! Full of sauce, knowing real-life references and witty remarks to camera, this is a cheeky incorrigible final instalment.

A destitute WWI veteran is hired to help carry out restoration work on a medieval mural in a rural Yorkshire church. While living in the quiet village, he forms a close friendship with an archaeologist and begins to come to terms with his trauma.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

Actress Coral Browne travels to Moscow, and meets a mysterious Englishman. Turns out he's the notorious spy, Guy Burgess. Based on a true story, with Ms. Browne playing herself.

Skits from: "The Fall and Rise of Reginald Perrin"; "The Les Dawson Show"; "Yes Minister"; "Only Fools and Horses"; "Three of a Kind"; "Last of the Summer Wine"; "Sorry!"; "Butterflies"; "Smith and Jones"; and "Open All Hours".

Matthew is a boy who just left school. He is handsome and athletic and believes himself to be gay. He retains a friendship with only one school friend, Phil, who has stuck by Matthew despite hostile reactions from his peers. As their relationship grows more intense, Phil's girlfriend Sharon and his classmates become vindictive and aggressive. The two friends find themselves ostracized by both friends and family and decide to run away.