Directing
Alex Viany
Born 1918-11-04 · Rio de Janeiro, Rio de Janeiro, Brazil
Almiro Viviani Fialho (1918 — 1992), better known as Alex Viany, was a Brazilian director, producer, screenwriter, author, journalist and actor. He is the author of the book Introduction to Brazilian Cinema (1959), cited by Paulo Emílio Sales Gomes as the first work of Brazilian filmography. He also wrote The Cinema Novo Process. He debuted as a director in 1953, in the feature film "Agulha no Palheiro". In 1954, he directed "Rua sem Sol", which received the São Paulo State Governor's Award for best director, best actor for Carlos Alberto and best actress for Glauce Rocha (1930-1971). In 1955, he directed “Ana”, an episode of the feature film "A Rosa dos Ventos" (1954-1957), produced by the Communist Party of East Germany, organized by Dutch filmmaker Joris Ivens (1898-1989). In 1963, he directed "Sol sobre a Lama", shot in Bahia and under the influence of Cinema Novo. He made the last feature film of his career, only in 1978, with "A Noiva da Cidade". He directed the short films A Máquina e o Sonho (1974), Humberto Mauro: eu Coração Dou Bom (1979) and Maxixe, a Dança Perdida (1980).
Acting credits
NRThe city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.
Nelson Filma o Rio
2021
7.9Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
Five Times Favela
1962
NRCelebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".
Entrevista de Humberto Mauro a David Neves e Alex Viany
1977
6.7A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Cinema Novo
2016
NRThe work of Nelson Pereira dos Santos guides the documentary, which traces the path taken by Cinema Novo and addresses the issues raised by the filmmaker during the filming of Brazilian Cinema classics.
Nelson Filma
1971
NRNo synopsis available yet.
Alex Viany - Um Documentário em Vídeo
1989
6.5Documentary about Humberto Mauro, his work and its importance.
Mauro, Humberto
1975
Behind the camera
10.0A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
Ana
1955
No synopsis available yet.
Maxixe - A Dança Perdida
1980
6.0An international anthology about the struggles of female workers around the world.
The Wind Rose
1957
6.5No synopsis available yet.
Humberto Mauro: Eu Coração Dou Bom
1979
6.5No synopsis available yet.
Humberto Mauro: Eu Coração Dou Bom
1979
6.0A poor girl must find the money to pay for her blind sister's eyesight operation.
Rua sem Sol
1954
6.0A poor girl must find the money to pay for her blind sister's eyesight operation.
Rua sem Sol
1954
NRMariana is a young woman from the interior of Minas Gerais who leaves for Rio de Janeiro in search of a man who seduced her and got her pregnant. But the rascal man gave her the false address, with only a photo as a reference. Staying at an uncle's house, she is faced with the difficulties of living in the big city, seeing that finding her husband in Rio is like looking for a needle in a haystack.
Needle in a Haystack
1953
NRMariana is a young woman from the interior of Minas Gerais who leaves for Rio de Janeiro in search of a man who seduced her and got her pregnant. But the rascal man gave her the false address, with only a photo as a reference. Staying at an uncle's house, she is faced with the difficulties of living in the big city, seeing that finding her husband in Rio is like looking for a needle in a haystack.
Needle in a Haystack
1953
NRNo synopsis available yet.
O Sonho e a Máquina
1974
NRCelebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".
Entrevista de Humberto Mauro a David Neves e Alex Viany
1977
8.0When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
A Noiva da Cidade
1978
8.0When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
A Noiva da Cidade
1978
8.0When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
A Noiva da Cidade
1978
7.0A poor community in Salvador organizes a resistance against the destruction of the Água de Meninos street market.
Sol Sobre a Lama
1963
7.0A poor community in Salvador organizes a resistance against the destruction of the Água de Meninos street market.
Sol Sobre a Lama
1963
5.0No synopsis available yet.
Carnival in Caxias
1954
No synopsis available yet.
Silvino Santos - O Fim de um Pioneiro
1970