
Directing
Paul de Nooijer
Acting credits
NRTwo men in a shop window paint each other.
Window Painting
1982
NRTo mark his ninetieth birthday, EYE has restored Zwartjes’ very first film, originally shot on Super-8 and long thought lost. Zwartjes started his career as a violinist and visual artist. He took photographs, made music and built instruments – but only really broke through with his equally craftsmanlike films.
Film II
1967
NRIn a domestic setting, two men in suits with rather glassy and listless facial expressions sit at a table with two mocha cakes on it. A classic slapstick element in an experimental setting.
Tarting Over
1981
NRShort film about two men in a car
Automaddix
1982
6.0Two men in chairs by the open hearth; photos move in front of their heads.
At One View
1989
NRFirst of three versions of Transformation by Holding Time, films with the duration of one film reel in which the screen is gradually filled with Polaroids, made in one shot from one angle, without editing. In this version, the film camera registers the filmmaker who is on a moor taking Polaroid pictures of the film camera.
Transformation by Holding Time (Landscape)
1976
Touring Holland by Bicycle shows a group of people sitting around a table. After a short time, they stand up and start running around the table, faster and faster until you have the idea that you are in a carousel.
Touring Holland by Bicycle
1981
NRMenno de Nooijer had previously collaborated on Paul's films, but this one marks the launch of a directors' team that lasts until today. Two man stick their heads through a decor, photographs revolve around their heads. Unfettered reflection on their own work, the basic assumption being a quote from 18th-century writer Horace Walpole, which also appears in other titles of their films: 'Nobody had informed me that at one view - I should see a palace, a town, a fortified city, - temples on high places […]'. In 1989, this film was granted the jury award at the Holland Animation Film Festival. (filmcommission.nl)
Nobody Had Informed Me
1989
This is a film, that was a picture. What’s the difference? Photography takes time away, film adds time.
I Should See
1990
4.0Exit is a flashback by a man of fifty. He remembers the moment when, as a young photographer, he was realising an exhibition of his own artistic work when he was unexpectedly commissioned to make a music video. The offer at first seems like the answer to his financial and personal woes, but during the preparations, a childhood trauma he has not come to terms with ensures unexpected complications and everything threatens to turn into a fiasco.
Exit
1997
Behind the camera
NRTwo men in a shop window paint each other.
Window Painting
1982
NRExperimental short film.
Review
1976
The band of memories is an almost archetypal story of a man and a woman, in which dreams and illusions follow quickly. The path of memory is part of Point Taken. This project consists of four dance films, for which Dutch choreographers and filmmakers joined forces to write the film script.
Memory Lane
2010
An Homage to Tex Avery. Pixelation short from the Netherlands.
Rrringg!
1991
NRIn a domestic setting, two men in suits with rather glassy and listless facial expressions sit at a table with two mocha cakes on it. A classic slapstick element in an experimental setting.
Tarting Over
1981
4.0First film by Paul de Nooijer, in collaboration with his artistic father Frans Zwartjes. Moving Stills shows a series of photographs by Françoise de Nooijer, which are joined, by means of editing and colour effects, and turned into a moving picture. The erotic image gets an explosive charge. (filmcommission.nl)
Moving Stills
1972
NRAn experimental short film by Paul de Nooijer.
Say Goodbye
1975
NRDirected by Paul de N
The Pie
1975
NRShort film about two men in a car
Automaddix
1982
1.01984 short by Paul de Nooijer
N.E.W.S.
1984
6.0Two men in chairs by the open hearth; photos move in front of their heads.
At One View
1989
NRFirst of three versions of Transformation by Holding Time, films with the duration of one film reel in which the screen is gradually filled with Polaroids, made in one shot from one angle, without editing. In this version, the film camera registers the filmmaker who is on a moor taking Polaroid pictures of the film camera.
Transformation by Holding Time (Landscape)
1976
NRWhat was young gets old, what was healthy is sick. Uncertainty has crept in. What started out tough ends in melancholy. In that sense, this is a farewell.
Is Heaven Blue? #2
2023
Touring Holland by Bicycle shows a group of people sitting around a table. After a short time, they stand up and start running around the table, faster and faster until you have the idea that you are in a carousel.
Touring Holland by Bicycle
1981
NRMenno de Nooijer had previously collaborated on Paul's films, but this one marks the launch of a directors' team that lasts until today. Two man stick their heads through a decor, photographs revolve around their heads. Unfettered reflection on their own work, the basic assumption being a quote from 18th-century writer Horace Walpole, which also appears in other titles of their films: 'Nobody had informed me that at one view - I should see a palace, a town, a fortified city, - temples on high places […]'. In 1989, this film was granted the jury award at the Holland Animation Film Festival. (filmcommission.nl)
Nobody Had Informed Me
1989
3.0The maker registers his muse on camera and Polaroid
Transformation by Holding Time (Artist with Muse)
1976
NR1981 short film by Paul de Nooijer and Jerry King Musser
Tilburg Teacher Trilogy
1981
NRIt’s always party time with the De Nooijer family at home. Innocent pleasure or a political film?
How to Make a New York Cake
1978
NR2005 short by Paul de Nooijer
Lost in America
2005
NR1981 short film by Paul de Nooijer and Jerry King Musser
The Third T(h)est
1981
NRStop motion
Black and White Bathroom
—
NRA surreal short set to dutch rapper Tony Scott's song The Greenhouse Effect.
Stop the Greenhouse Effect
1992
Strip Show 1850 (11 min.) is a remarkably detailed yet simple film on Zeeland's magnificent traditional costumes, which are removed layer by layer. This short costume drama gives new meaning to the museum film genre. Strip Show 1850 is part of a series of museum films specially produced by Paul and Menno de Nooijer for the reopening of the Zeeland Museum.
Strip Show 1850
2004
NRTwo women and a man test poor sound equipment by shouting "test one two" into the orange microphone increasingly loud and aggressive.
Test One Two
2005
