Mary Martin

Bing Crosby and Christmas - they're inseparable. It was only natural for the voice that sold more than 100 million copies of 'White Christmas' to eventually celebrate the season on television. This second volume of Crosby television specials showcases those Christmas shows. Included in this premiere, two-disc collection are Bing's first holiday special, produced in England in 1961, his first color special from 1962 with Mary Martin, Bing Crosby and the Sounds of Christmas with Robert Goulet and Mary Costa from 1971, and Bing s final special, Bing Crosby's Merrie Olde Christmas, which includes the iconic duet of 'The Little Drummer Boy / Peace on Earth' with David Bowie. These treasured programs have been meticulously restored from the original film and videotape sources, and are presented with all the original performances intact.

Bing Crosby was, without a doubt, the most popular and influential multi-media star of the first half of the twentieth century, pulling audiences in with his intimate, laid-back voice and innate charm. Narrated by Stanley Tucci and directed by Robert Trachtenberg, this film explores the life and legend of this iconic performer, revealing a personality far more complex than the image the public had only thought they'd known.

Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.

The program on this DVD is basically a retrospective produced in the early 1990s for public television that was originally called «A Bing Crosby Christmas: Just Like the Ones You Used to Know» that was narrated by Gene Kelly and hosted by Bing's widow, Kathryn Crosby. The program itself features clips from fifteen of Bing's classic television specials, concentrating on the period from the early 1960s onwards when he included Kathryn and their three children in the programs.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

A feisty widow falls in love with a zestful widower in a retirement community, much to the disapproval of her married daughter.

In this magical tale about the boy who refuses to grow up, Peter Pan and his mischievous fairy sidekick Tinkerbell visit the nursery of Wendy, Michael and John Darling. With a sprinkling of pixie dust, Peter and his new friends fly out the nursery window and over London to Never-Never Land. The children experience many wonderful and exciting adventures with the Lost Boys, Tiger Lily's Indian tribe, and Peter's arch enemy the dastardly pirate Captain Hook.

Bing Crosby celebrates the holidays by starring in his first color special. This time the show concluded with an extended holiday-themed segment featuring Bing and his guests, Mary Martin, Andre Previn, and The United Nations Children’s Choir.

In New York, a surly, down-on-his-heels playwright meets a country girl who's giving up trying to act and returning home. He goes with her for inspiration when his agent convinces a stage star to take his next effort. When he returns to Broadway, his girl stays behind and starts seeing a local businessman.

A live television adaptation of the popular musical about sharpshooter Annie Oakley joining Buffalo Bill's Wild West Show and falling in love with her co-star, Frank Butler.

This SECOND live broadcast aired a year after the success of the first. Utilizing much of the same cast, it nevertheless is its own unique performance which charmed millions of households in 1956.

The program was the first so-called "Television Spectacular". Ford presented the show without commercial interruption. It is believed to be the first time that Edward R. Murrow appeared on NBC in a professional capacity. Also, in 1953, it was necessary for Ford to buy time on two networks to ensure maximum coverage of US TV households - at the time, neither CBS nor NBC reached 100% of them. The famed 1953 television special celebrating the Ford Motor Company's 50th anniversary brought together two of the greatest leading ladies Broadway has ever known. The highlight of the program is Merman and Martin’s 13-minute duet medley, where they sing the songs that made them famous, plus much more. On their own, Merman sings “Alexander’s Ragtime Band” and “Mademoiselle from Armetières” and Martin performs a brilliantly comic routine about changes in fashion over the first half of the 20th century.

Rodgers’ friends and colleagues pay tribute to him. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

A rich junk dealer hires a tutor to teach his brassy lover proper etiquette, he is beginning to move up in the world, so, he wants her to be a little less uncouth. As long as she doesn't start thinking. However, that ended with unexpected results.

The professional recording of the 1952 original London production at the Theatre Royal Drury Lane.

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

Victor Ballard, a happy-go-lucky albeit impoverished sidewalk photographer, shares a New York City studio apartment with Polish immigrant painter Stefan Janowski. The big city doles out joy and misery indiscriminately: In the apartment below Victor and Steve, Gus Nelson learns that his wife has given birth to quintuplets, while the lonely tenant in the apartment below Gus has given up on life and committed suicide.

New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter.

A gold-digger hopes to land a rich husband in Trinidad, but gets mixed up with a beach boy and voodoo.

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.

Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and then try to sell their songs under their own name. The problem is every song publisher thinks they're copying Courtney's style.

Capitalizing on the famous radio 'feud' between comedians Jack Benny and Fred Allen. The two stars play versions of themselves, constantly at each other's throats due to real and imagined slights.

Combines airplane trips and fashion. Heavy on the fashion.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.