
Directing
Sebastian Brameshuber
Known for
Directing
Credits
13 titles
Sebastian Brameshuber (b. 1981) studied stage and film design at the University of Applied Arts Vienna and film at Le Fresnoy – Studio national des arts contemporains in France. His films are rooted in documentary practice, exploring the charged relationship between historical and personal realities through a reduced cinematic language. They have been shown and awarded at festivals including Berlinale, Viennale, Cinéma du Réel, Art of the Real, FIDMarseille, IDFA, and BFI London, among others. In 2019, the Filmarchiv Austria and Anthology Film Archives held first retrospectives of his work. He was awarded the Grand Prix at Cinéma du Réel for Movements of a Nearby Mountain in 2019 and London …
Known for
NRBobby drives back and forth between Vienna and Salzburg, giving lifts to strangers on the way, sharing conversations that drift from the mundane to the deeply personal. In this tender portrait of today’s Europe, anonymity and warmth still go hand in hand.
London
2026
NRDocumentary about a comptetition in Turkey for the best muezzin.
Muezzin
2010
8.0Documentary about young people in a small town in Austria.
And There We Are, in the Middle
2014
NRIn a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars to his native Nigeria. As he pursues his lonely day-to-day activities with wondrous serenity, past, present and future begin to overlap, and memories of a lost friendship resurface against the backdrop of a mysterious promise of everlasting resources.
Movements of a Nearby Mountain
2019
NRThere have been countless tributes made to the Lumière Brothers´ Workers Leaving the Factory since it was first exhibited in 1895, but few have been as technically ambitious, aesthetically assaultive or conceptually compelling as Sebastian Brameshuber´s In, Over & Out.
In, Over & Out
2017
10.0In a voiceover Stan Brakhage articulates his resentments about the use of computers for art production and in general. This comment is contrasted by video imagery turning more and more abstract until it bursts into a sea of square pixels. The video is an ironic illustration of Brakhage's views as these "defunct" images reveal a kind of beauty of their own.
Preserving Cultural Traditions in a Period of Instability
2004
Behind the camera
NRBobby drives back and forth between Vienna and Salzburg, giving lifts to strangers on the way, sharing conversations that drift from the mundane to the deeply personal. In this tender portrait of today’s Europe, anonymity and warmth still go hand in hand.
London
2026
NRBobby drives back and forth between Vienna and Salzburg, giving lifts to strangers on the way, sharing conversations that drift from the mundane to the deeply personal. In this tender portrait of today’s Europe, anonymity and warmth still go hand in hand.
London
2026
NRDocumentary about a comptetition in Turkey for the best muezzin.
Muezzin
2010
NRDocumentary about a comptetition in Turkey for the best muezzin.
Muezzin
2010
8.0Documentary about young people in a small town in Austria.
And There We Are, in the Middle
2014
8.0Documentary about young people in a small town in Austria.
And There We Are, in the Middle
2014
NRIn a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars to his native Nigeria. As he pursues his lonely day-to-day activities with wondrous serenity, past, present and future begin to overlap, and memories of a lost friendship resurface against the backdrop of a mysterious promise of everlasting resources.
Movements of a Nearby Mountain
2019
NRIn a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars to his native Nigeria. As he pursues his lonely day-to-day activities with wondrous serenity, past, present and future begin to overlap, and memories of a lost friendship resurface against the backdrop of a mysterious promise of everlasting resources.
Movements of a Nearby Mountain
2019
NRThere have been countless tributes made to the Lumière Brothers´ Workers Leaving the Factory since it was first exhibited in 1895, but few have been as technically ambitious, aesthetically assaultive or conceptually compelling as Sebastian Brameshuber´s In, Over & Out.
In, Over & Out
2017
NRThere have been countless tributes made to the Lumière Brothers´ Workers Leaving the Factory since it was first exhibited in 1895, but few have been as technically ambitious, aesthetically assaultive or conceptually compelling as Sebastian Brameshuber´s In, Over & Out.
In, Over & Out
2017
10.0In a voiceover Stan Brakhage articulates his resentments about the use of computers for art production and in general. This comment is contrasted by video imagery turning more and more abstract until it bursts into a sea of square pixels. The video is an ironic illustration of Brakhage's views as these "defunct" images reveal a kind of beauty of their own.
Preserving Cultural Traditions in a Period of Instability
2004
NRShort documentary about people who sell cars from Europe to Africa.
Of Stains, Scrap & Tires
2014
NRShort documentary about people who sell cars from Europe to Africa.
Of Stains, Scrap & Tires
2014
