Joyraj Bhattacharjee

After Nihilistic rapper Gandu steals from his mother's lover, he embarks on a drug-fueled rampage with a rickshaw puller.

Swarnaja (Koel Mallick) is a hard-working do-gooder radio jockey with the rarest blood group in the world, Rh null blood group. She has been brought up by her grandmother. Her four year old son Pawrag is kidnapped by Shammo, an imposter.

Strange incidents occur in the heart of Shonajhuri forest in rural Bengal which develops an ominous character of its own that allures and finally engulfs the protagonists.

A documentary on the infamous Bengali magic realist, Nabarun is an exclamation mark in Bengali literature, the emphatic interjector. The film tries to get into the noisy, grimy, scratchy insides of Nabarun's mind as his characters shamelessly hustle, behave atrociously and try to exist in a violent hostile world.

Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.

On a rainy night in Calcutta a group of desperate addicts chase brown sugar, but the permanent intoxication they seek proves elusive. Some of them seek a release, while others do not seem to want the night to end.

Three college friends are fed up with the men in their lives and take charge of their own fate.

Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.

Needing a secluded place for a late-night tryst, two couples stow away in a mall after hours, but are quickly ensnared in a gruesome and deadly game.

A serial killer terrorises the city of Kolkata and leaves behind verses of Bengali poetry. The police seek the help of a retired officer to unravel the case and find the perpetrator.

'No Refusal' is based on a story of a taxi driver Manoj whose experiences and struggles are shared by thousands of immigrant Bihari workers who come to larger cities to try and earn a living. One day Manoj becomes involved in an accident that is followed by a series of events that change his life forever

Arun, a famous Bengali actor, approves Shuvobrata's proposal of remaking Satyajit Ray's famous film 'Nayak'. Problems arise when Shuvobrata requests his live-in girlfriend Shrin to act opposite Arun.

A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.

A tribute to the life and accomplishments of the legendary Bengali actor Soumitra Chatterjee, who was a pioneer in Indian cinema with a career spanning seven decades.

Following the footsteps of Samuel Beckett's 'Waiting for Godot', two actor from Calcutta go to the largest gathering of humans on earth - the Hindu festival of Maha Kumbh of Allahabad in 2013, which occurs once in 12 years, to search for Kalki - the Tenth and the final avatar of Lord Vishnu. The most mysterious of Vishnu's Avatar who has been on earth but has never been found. However, an outbreak of a monumental war occurs during their quest. They then prepare themselves by reading Chairman Mao-se-Tung's 'Little Red Book'.

Al Mamun, an Egyptian business tycoon, asks his friend Kakababu to help him decode some hieroglyphic symbols that will help trace the will of his teacher, Mufti Mohammad.

At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

On a lunar eclipse midnight, in a desolate temple, six young newlywed couples and a priestess meet after a mass wedding. They sit in a circle and talk. This their last conversation - an exchange about life, death, beginning, end and every thing in between.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.