Maggie Wadey

Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford

A young girl, whose head is full of romantic and melodramatic notions, goes to stay with the wealthy Tilney family. Through her adventures, Catherine Morland comes to learn that marriage in the society of her day is determined not by true love but by wealth and social status.

Rich and languorous, this adaptation of George Eliot's classic tale perfectly evokes rural England in the 18th Century. But beneath the tranquil surface of this pastoral idyll run deep passions and the bitter gall of betrayal.

Lyddie faces a daunting task: She's struggling to reunite her family and save their farm. To do that, she takes a job at a cotton mill and, with the help of Diana (who's toiled in the mills since age 10), learns that there are risks involved with being a factory girl -- namely, dangerous working conditions and low wages. Soon, Lyddie finds herself in the forefront of a suffrage movement to better those appalling conditions.

In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but meets a man who may see her differently.

A woman goes slowly mad as she is confined to a room for weeks on end by her husband.

Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford

A young girl, whose head is full of romantic and melodramatic notions, goes to stay with the wealthy Tilney family. Through her adventures, Catherine Morland comes to learn that marriage in the society of her day is determined not by true love but by wealth and social status.

Rich and languorous, this adaptation of George Eliot's classic tale perfectly evokes rural England in the 18th Century. But beneath the tranquil surface of this pastoral idyll run deep passions and the bitter gall of betrayal.

Lyddie faces a daunting task: She's struggling to reunite her family and save their farm. To do that, she takes a job at a cotton mill and, with the help of Diana (who's toiled in the mills since age 10), learns that there are risks involved with being a factory girl -- namely, dangerous working conditions and low wages. Soon, Lyddie finds herself in the forefront of a suffrage movement to better those appalling conditions.

In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but meets a man who may see her differently.

A woman goes slowly mad as she is confined to a room for weeks on end by her husband.

An Englishman thinks automatically in terms of class. It's an occupational hazard. He can no more control it than lick his own tongue.

After 30 years apart, a man is reunited with his mother, who resides on a psychiatric ward.

'The man knew what he wanted. A relationship that was loving, but not possessive. In other words, he wanted to maintain his sanity.'

When Hell's Angels hit Muriel's seaside town she grabs daughter Karen and follows. Years ago her husband rode away on his bike and left her, but it's always possible that she might find him - or someone! As it happens both mother and daughter have unexpected encounters