Johnathan Sousa

A TV director returns to her theater roots for a Shakespeare festival and runs into an old flame, rekindling a merry war of wits in this modern retelling of "Much Ado About Nothing."

Struggling to balance her demanding job and managing her daughter Daphne while separating from her husband, hospital researcher Maria enlists her friendly new neighbor, Eve, to babysit. But Maria soon learns that Eve has ulterior motives and will do everything she can to claim Daphne as her own.

Marcela Borges and her growing family’s idyllic weekend quickly turn into every family’s worst nightmare when masked gunmen barge into their Florida suburban home. With gunshots piercing their walls, a newly pregnant Marcela, her husband, and their young son are left with no choice but to comply with their captors’ demands: surrender $200,000 or their lives. But with no means of accessing that sort of money, Marcela faces insurmountable odds to protect her family from their violent captors and must make the life and death decisions to keep her family safe.

Filmed version of the 2019 Stratford Festival production.

Pursuing two respectably married women at the same time, a would-be seducer fails to anticipate that his targets will, quite literally, compare notes. Nor has he reckoned on the mischievous spirit in which the wives will use their wits and wiles to teach him the error of his ways. Set in the 1950s, in a town not unlike Stratford, Ontario, this production brings Shakespeare's rollicking comedy close to home - and close to our hearts.

What We Have is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

Imagine leaving everything you have, everyone you know, everyone you love, behind. Having to cross half a continent on foot, atop freight trains, inside truck trailers. Swimming across wild rivers. Crossing borders illegally. Walking across the Arizona desert. Being shot at, robbed and beaten. Raped. Surviving it all. Crossing into the USA, after life in the poorest parts of Central America. Succeeding. Now. In the “promised” land, you don’t belong, legally; or socially. You don’t understand the language. No one knows you arrived, no one knows you exist. Imagine…. being Nobody. Then imagine a bag being shoved over your head. Getting your clothes stripped from you. Getting tossed in a closed room with a dozen others. A loaded gun is pointed at your head. You are forced to call back home and beg for money, a ransom for your life.

As a thirty something acting teacher attempts to push a group of eager young performers out of their comfort zones, he struggles with his own ability to live an authentic and fulfilling life with his teenage son.

Plus-sized Lexie Ivy is a feisty B&B owner who desperately needs a date to her sister's wedding.

In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?