Tom Hurwitz

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

A critical yet sympathetic examination of the anti-war movement in New York City, shot in 1968, one year after the Summer of Love. The film traces the development group of activists on the Lower East Side. We see their growth from isolated, alienated individuals to a politically empowered community. Filmed between the protests at the Pentagon and the demonstrations at the Democratic Convention in Chicago, it includes portraits of Abbie Hoffman, editor Paul Krassner, folksinger Phil Ochs and anarchist Tom "Osha" Neumann.

The remarkable history and legacy of one of the most important works of art to come out of the age of AIDS -- Bill T. Jones’ tour-de-force ballet "D-Man in the Waters."

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

A critical yet sympathetic examination of the anti-war movement in New York City, shot in 1968, one year after the Summer of Love. The film traces the development group of activists on the Lower East Side. We see their growth from isolated, alienated individuals to a politically empowered community. Filmed between the protests at the Pentagon and the demonstrations at the Democratic Convention in Chicago, it includes portraits of Abbie Hoffman, editor Paul Krassner, folksinger Phil Ochs and anarchist Tom "Osha" Neumann.

The remarkable history and legacy of one of the most important works of art to come out of the age of AIDS -- Bill T. Jones’ tour-de-force ballet "D-Man in the Waters."