Frederick Neumann

A retrospective documentary on the 80's slasher film classic Madman. Interviews with the original and available cast & crew, including Madman Marz himself Paul Ehlers.

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.

Wealthy Sunny von Bülow lies brain-dead, husband Claus guilty of attempted murder; but he says he's innocent and hires Alan Dershowitz for his appeal.

A school student and her European-born grandmother share sad stories of their lives.

A clean-cut young lawyer meets a beautiful prostitute who drags him into a decadent dead-end world of sex and corruption.

William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.

A man's enthusiastic penis starts talking to him, getting him into awkward situations and convincing everyone he tells that he's completely insane.

Hungarian physicist Leo Szilard leaves Europe, eventually arriving in the United States. With the help of Einstein, he persuades the government to build an atomic bomb. The project is given to no-nonsense Gen. Leslie Groves who selects physicist J. Robert Oppenheimer to head the Los Alamos Laboratory in New Mexico, where the bomb is built. As World War II draws to a close, Szilard has second thoughts about atomic weapons, and policy makers debate how and when to use the bomb.

Monologue by Spalding Gray about his misadventures in purchasing a home.

A European woman living in Greenwich Village sees her life starting to come apart. She's broke, seems to be hallucinating and seeing people she dreams about appear in her real life, and on top of that finds herself accused of a pair of murders.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

The 1986 film version of the theatrical production "Dead End Kids" by the NYC avant-garde theatre group The Mabou Mines.