Dian Kobayashi

Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team—who went in to rescue hostages left behind after Desert Storm.

Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems.

Marjorie Turner is suffocating in her marriage and day to day life. An extramarital affair with a stranger seems to be the answer until her paramour has a fatal heart attack, and turns out to be less of a stranger than she could have thought...

In Los Angeles, naive and lonely waitress and aspirant singer Carol finds an advertisement for a job opportunity in Tokyo. Traveling to Japan to work at the White Orchid nightclub, she discovers the scheme of prostitution in the club that belongs to Yakuza. Alone, without money and her passport, she is protected by Shiro, but pressed by the managers Madame Mori and her husband Hatanaka to be receptive to client's proposals.

Doris Chu, a recently divorced Chinese American woman, has plastic surgery to make her eyes rounder. From her teenage daughter Mei's perspective, her mother's two eyes equal two lies. When the family journeys to a desert resort during Doris' recuperation, a series of revelations and bitter confrontations erupt. This beautiful black and white drama is a poignant study of generational conflict and the struggle for identity in a world of hybrid cultures.

A dysfunctional family comedy centered on an extended Asian American family of a certain age celebrating the same sex marriage of Hiro and Bud; homophobia is not a problem because these people are too self-involved to create anything but embarrassment for Hiro.

As a couple (Valentine and Greene) prepare to get married all sorts of uninvited and unexpected guests arrive and secrets are revealed.

A comedy about a wimpy bimbo conflicted about her loyalty to a group of broke environmental Superheroines (The Broom Witch, The Librarian, Mother Nature, The Chocolatier) versus their wealthy villainous counterparts (Virginia Svelte, Cosmetic Chick, Bitch-on-Wheels and The Doucher) who run an advertising agency that promotes carcinogenic products for women.