Paola Castillo

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

They are women. They are mothers. They are inmates serving long sentences in a prison in Chile. Their children grow up far from them, but remain in their hearts. In prison they find the affection of other inmates who share their same experience. Mutual support among these women becomes a form of resistance and emancipation. Malqueridas reconstructs their stories through the images they themselves shot with cell phones prohibited inside the prison, recovering the collective memory of a forgotten community.

Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.

Committed to unearthing her ancestors' silenced history, Margarita embarks on a profound journey, guided by the diary of Katrulaf, an indigenous Mapuche prisoner of war. She retraces the Mapuches’ deportation route, and in unearthing these pasts, gives voice to a displaced people and the genocide inflicted upon them during the military invasions that founded Argentina and Chile.

Juan Carlos is a lonko who has fought in defense of Mapuche autonomy. Many question him because he agreed to work for the government in order to improve conditions in his community. At home he shares his concerns, while his animals watch the tension grow and the seasons advance.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

They are women. They are mothers. They are inmates serving long sentences in a prison in Chile. Their children grow up far from them, but remain in their hearts. In prison they find the affection of other inmates who share their same experience. Mutual support among these women becomes a form of resistance and emancipation. Malqueridas reconstructs their stories through the images they themselves shot with cell phones prohibited inside the prison, recovering the collective memory of a forgotten community.

They are women. They are mothers. They are inmates serving long sentences in a prison in Chile. Their children grow up far from them, but remain in their hearts. In prison they find the affection of other inmates who share their same experience. Mutual support among these women becomes a form of resistance and emancipation. Malqueridas reconstructs their stories through the images they themselves shot with cell phones prohibited inside the prison, recovering the collective memory of a forgotten community.

Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.

Committed to unearthing her ancestors' silenced history, Margarita embarks on a profound journey, guided by the diary of Katrulaf, an indigenous Mapuche prisoner of war. She retraces the Mapuches’ deportation route, and in unearthing these pasts, gives voice to a displaced people and the genocide inflicted upon them during the military invasions that founded Argentina and Chile.

Juan Carlos is a lonko who has fought in defense of Mapuche autonomy. Many question him because he agreed to work for the government in order to improve conditions in his community. At home he shares his concerns, while his animals watch the tension grow and the seasons advance.

Juan Carlos is a lonko who has fought in defense of Mapuche autonomy. Many question him because he agreed to work for the government in order to improve conditions in his community. At home he shares his concerns, while his animals watch the tension grow and the seasons advance.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

In the southernmost place in the world live the Yámanas, who survived and developed in one of the most inhospitable climates in the world. Today on the brink of extinction, its oldest survivors Úrsula and Cristina Calderón, invite us on a journey through its history, its myths, its language and its landscape. They are the last Footprint.

In the southernmost place in the world live the Yámanas, who survived and developed in one of the most inhospitable climates in the world. Today on the brink of extinction, its oldest survivors Úrsula and Cristina Calderón, invite us on a journey through its history, its myths, its language and its landscape. They are the last Footprint.

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

A mother who lost her memory. Her best friend, kidnapped and disappeared being pregnant. A daughter who tries to rescue them. A reflection upon friendship, motherhood and loss.

In the Juan Fernández Archipelago, 700 kilometers from the central coast of Chile, is Robinson Crusoe Island. There, a group of children who are in their last year of primary school will soon graduate, leaving the island where they learned to live.

Marcia, granddaughter of Salvador Allende, the first democratic socialist president who was overthrown by the Army in September 1973, seeks to reconstruct the personal and familiar image of her grandfather, buried by his historical person, her exile and the family pain.

The comedian Timoteo is the leader of a cross-dresser circus that has toured through Chile for forty years. Today his advanced age and health are reason for concern regarding the continuity of the show.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.