Branca Messina

To overcome the fear of losing his ill and aging grandfather, a forensic photographer needs to discover the truth behind the alleged suicide of an elderly man.

Three women with completely different backgrounds have one thing in common: they loved and were connected to the same man. From the point of view of these women, through an intricate structure moving back and forth in time, Raul enters the story.

Even the love of her husband couldn't ease the pain of being barren and enduring the affronts of her rival. Until, embittered, Anna prayed to the Lord and made a vow.

The story of the famous "Polacas", Jewish women deceived into prostitution in Rio de Janeiro in the early 1900's. Ricardo interviews Mrs. Mira, who struggles to bring back memories from her mother's past as a Polaca.

After his girlfriend's murder, Daniel, a physics student becomes obsessed with the idea of going back in time to stop the tragedy. He lets himself be consumed by his own obsession until after years of isolation, he finds the solution. Daniel then gives up his future and returns to the past. However, he is not the same man.

Before his compulsory retirement, on his last day of work, Marshall, JFK airport's chief Immigration officer, detains a group of Latin Americans and expose them to a series of humiliating situations. Blinded by prejudice, Marshall ends up by causing the death of a young Brazilian. After a period in prison, Marshall goes to Brazil, deadly ill and in a desperate search in order to purge his guilt. In his quest, he is guided by Bia, a young prostitute.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

A group of strangers from different countries end up on Rio's beaches. Seeking self-fulfillment, they look for answers to existential questions. Yet it isn't until their different paths cross that they begin to understand why they came.

The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes.

The film tells the story of a man who was born in 1959 and died in 2070, told by people who knew him and somehow contributed to his trajectory.

In Rio Grande do Sul, the newcomer intern Paula sees the schizophrenic Dante Becker and she decides to study his case for her graduation work in the university. She learns that Dante was left in the institution ten years ago and has been abandoned by his family, friends and even the doctors and his files are lost. Her supervisor retrieves the name of Dante's father Gregório and the women Renê Heller and Berenice that had visited him in the past and she interviews them to discover what happened with Dante.

No synopsis available yet.

In a small country town in the south of Brazil, the daughter of a wealthy farmer is brutally raped and left for dead near a river. Miguel arrives in Rio and starts following Carol, an upper-class young girl, while himself is being followed by Luciano. When Miguel starts going out with Carol, his purpose becomes more clear, putting in motion events which relate to the rape.

Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a carpentry from his father and a taste for the pool. When a traffic accident crosses the parallel trajectories of the two, the imponderable imposes itself and the uncontrol begins.

No synopsis available yet.